Quotes About Performance

I do very scientific-based training. However, for skating, that's a little bit out of the ordinary. Many skaters base their off-ice training around plyometrics, whereas mine is very strength- and power-based.

Theatre is more metaphorical where you have to be louder and larger than life, whereas film is more subtle and more real.

If I lose the ball, I want to get on it as quickly as possible and make up for it, whereas before, I would hide away and maybe only look for the ball 10 minutes later. I don't want to give the defenders any break.

Auditioning and actually acting on a set are two different things. When you audition, you're in a room and you don't have anything to play with and you don't have anything physically in the room. Whereas on set, you have direction, you have costumes, and you have other actors to work with. It's a completely different thing.

Trent likes to record guitars direct, whereas I've always preferred playing through an amplifier.

You have to go as hard as you possibly can, or it's going to be weak. Whenever I find myself not committing fully to a character, it's not as funny. It doesn't have that clear point of view, and you find yourself wandering all over the place, whereas committed characters make strong choices that are clear to the audience.

Paul has more, I think, of a feel for the stage. Whereas I have it more for the notes themselves. I love record making and mixing, arranging, producing. That I love. I love to make beautiful things, but I don't like to perform.

The theatre fulfills, whereas the cinema is empty.

I think one of the things about writing in the studio is that the song hasn't matured, if you like, so quite often the vocals are early attempts. Whereas once you've taken it out on the road a bit, you learn more about a song.

Obviously Mad TV, SNL are one kind of show, whereas The State belongs to the kind of show that is entirely conceived written and performed by a set group that existed before the TV show.

I think film and television are really a director's medium, whereas theatre is the actor's medium.

In daytime, they're doing 50-60 pages a day, whereas nighttime, you do seven or eight.

I'm really shy with my acting when it's off, because the camera gives me an excuse to be in character, whereas otherwise I would just feel like an idiot.

What's great in theater is that you can sustain the arc of a character for a full three hours, whereas in film or TV, you have to create that arc in little pieces, and usually out of sequence.

Being onstage is like being rock star. Whereas if you're doing a movie, it's such a confined space. You know, you do a comedy, it's so hard, too, 'cause with a comedy, there's no vocal reaction, there's no energy that you get back that spurs you on to be funnier because everyone has to be quiet.

It's a writer's or director's role to be cerebral, whereas for an actor it should be a visceral, gut thing. When the action starts, it's best to turn the brain off and let it become an instinctual thing.

I find with television, you have to play personality, whereas onstage, everyone talks about 'the character,' and what you do. It's a very different thing, because stage is much bigger, but on television, for things to come across to the public, I think you have to play a bit of your personality.

When you audition for shows in Hollywood, you go in, you do your scene, maybe you get an adjustment. It's sort of easy, and a lot of times it just feels sort of rote and simple. Whereas when you go to New York and you audition for plays, you walk out sweaty and intimidated and nervous and doubting yourself as an actor.

I think there are different kinds of comedians, and I prefer the clowns who are going: 'I'm an idiot, aren't we all a bit like this, laugh at me.' Whereas, a lot of other comedians are saying: 'Aren't I clever? You want to be me, aren't I cool? Revere me.' Which is fine. But that's not my bag.

A lot of directors want to storyboard you, whereas the best way to get a performance out of an actor is a collaborative process where you listen to the actor's input.

Singing is the rawest thing. Having been naked in films or naked in photo shoots, it's nothing compared to singing. It's absolute nakedness. You are stripped bare! It's very strange. Acting seems much easier, in fact, because you are putting on a costume - whereas here, you are taking everything off.

You want the song to be at least at the same level of goodness throughout. Whereas with something you're doing live, a song dips and rises and that can actually be worked to the song's benefit.

Put me on telly, and I think I have a relaxation on camera that makes an audience relax, too. It's not a conscious thing. Cameras don't bother me, whereas other people try to perform to them.

It's very hard to tell an actor, 'Stop acting.' It's easy to tell a non-actor, because they're embarrassed when they act. They get ashamed when they do something cliche, whereas an actor is happy.