Quotes About Performance

It's volatile with GNR. Every night, it's anarchy on stage. Who knows what's gonna happen? That's rock n' roll, man.

Asset managers have different approaches, and I don't wish to suggest there is only one way to run money. There are many ways one can attempt to reduce risk, improve performance, lower drawdowns and reduce volatility.

Low-volatility funds, which tend to smooth out performance, have been especially popular since the financial crisis. The PowerShares S&P 500 Low Volatility Fund is the oldest, begun in 2011.

I played volleyball and basketball and would also take part in dramatics.

I danced for 12 years, and I played a lot team sports: basketball, volleyball.

Hydration is really important, particularly as a beach volleyball player.

Just a little bit less volleyball for me I think is a huge benefit for me.

I'm a volleyball player, so I like Lycra and Spandex.

And in singing, what my voice lacked in quality it made up for in volume.

I use the volume control on my guitar, both for dynamics and as a manual noise gate.

The only technical things I know are treble, volume and reverb, that's all.

We want to be the volume number one, but also we want to have 8 percent in operating profit.

Firstly I did it in this huge theatre in Avignon, then to smaller places, then bigger places. You have to change the volume of the voice, give more or less. The way you have to relate to space makes it like sculpture.

It's a battle between record company, between producer and between mastering engineer. Because the louder you make your record in a digital process, the more dynamics are squished out of it. Nobody knows exactly what happens, but the dynamics in the performance disappear, and everything is at the same volume.

I did a lot of theater, so especially as an on-camera camera actor, there are so many things that aren't in your toolbox. They're somebody else's job. You think about editors and rhythm. Volume isn't even in your control.

When you are up close to an opera singer, hearing this incredible volume of noise coming from a human being - it's beyond belief.

I have an amp that doesn't have a master volume. It sounds awesome, but we just can't get an appropriate decibel level out of it.

I was very serene, and I still am, until I start talking in another voice, then suddenly I have a lot of volume and I'm frantic. But I didn't want to be one of those people who's always talking in accents in real life, so I started doing sketch comedy.

Strangely enough, I wasn't into fast guitarists. I preferred Peter Green's subtle touch. I saw him with John Mayall's Bluesbreakers at the Marquee Club in London and was very impressed. He was the only guitarist I've ever seen to turn the volume control on his guitar down during a solo.

I say to string players in small chamber orchestras, 'it's always easy to become a passenger on the journey in sound, just adding volume to the whole. But if you play in an individual way, it makes the difference between good and great sound in an orchestra.'

You often hear when you talk to guys in our industry, that this is my personality, I just turn the volume up, but over the years, I've really become me. No volume turned up, no nothing. I've been able to go out there and just be myself. It's through solid performance after solid performance that people just take you for who you are.

I'm not trying to blow out a camera lens or make the audience's hair go straight back from my sheer volume, sheer energy level.

Now that sports science is more advanced, we know that there are so many off-pitch factors that can affect how good you can become. If people are telling you to sleep a certain number of hours, eat specific foods, and drink a certain volume of fluids, then you have to be prepared to listen and learn.

Every job you have, there are days that are more difficult than others. I worked on a daytime soap opera, where the volume at which you're producing this medium is incredible.