Quotes About Performance

It is so scary to break in new shoes on stage. It makes me wonder, how does Beyonce do it, dance in high heels on stage? I am like 'Whoa!'

In football you always get judged on your last game. Whoever you are, or how amazing you are, it's the last game that everyone has seen.

I'm not very actorish. I don't play actor 24 hours a day. When the job is done, I go on to be myself, whoever that is.

I think the drummer should sit back there and play some drums, and never mind about the tunes. Just get up there and wail behind whoever is sitting up there playing the solo. And this is what is lacking, definitely lacking in music today.

Whoever heard of an electric violin, electric cello or, for that matter, an electric singer?

Whoever I suit up for... I'm going to do my job.

Whoever you're playing against, you want to do as well as you can.

When I'm out there playing basketball, it's just, 'Let me do me,' and everybody is going to benefit. I feel confident that whoever I'm out there with is going to win.

Whoever picks me up, I'm going to try and play my best for, to be the best player on the field at any given time.

Maybe it's egocentric or whatever, but when I'm playing Beethoven, Bach, Hendrix, or whoever it is, in the end, it just feels like my own music and I'm making it up as I'm going along.

I play my best when I'm enjoying myself. So whoever I play against, I try to have fun.

As an actress we don't beat one another. It's whoever's right for the part.

I can't control what the other team's gonna feel. I'm just gonna go out there and hoop, and whoever takes it to heart and takes their losses salty, I can't do anything about that.

A lot of times, it's nice to open, because the heat's off you. You just go out and blast your set and say to whoever's going to finish, 'There you go.' Even though when you first start, people are drifting in, and that's kind of a bit disconcerting.

The thing is, playing with us, whoever was the left winger had to come to play every night because that's the way it was. Charlie came in and he just fit that role - big and strong around the net.

And, you know, I think the original recording of Ravel's Bolero, probably whoever played percussion on that, will never have It played better than that.

I get nervous before everything - dates, filming, award shows. I just don't want to say something stupid. But as soon as I step out on that stage, or as soon as I show up to a date, it all goes away, and I just have a great time with whoever I'm with.

People discover you at festivals. They come to see Coldplay or whoever, and then wander over and catch your act. Festivals make a lot of sense to me.

The first rule of comedy should be, you must be very lazy. Whoever works should be immediately removed.

What I like is the acting itself. But I'm a lousy celebrity. I'm not interested in selling my private life. I take my private feelings to the work, but I want there to be a difference between me and whoever it is I'm playing.

What you find in the theatre is that if you're good, no matter what color you are, the audience will buy that - whoever you are.

I walk into a scene, and I do the scene. That's my job. I don't have an objective. I have the words, and I have whoever I'm playing with.

Even though 'Kroll' was a crazy sketch show with big characters, one of the things I'm proud of about the show is that the characters were always kind of coming from an emotionally honest place for whoever I thought that character was.

Active management leads to lots of poor investor behavior. It sends people chasing after whoever has the hot hand at the moment.