Quotes About Performance

Unfortunately in Bollywood, if your film is a flop, your acting is considered flop too.

There is always a hit and a flop, it's part of working in the film industry.

So if radio flops, and MTV flops and everything flops, it doesn't matter, as long as we're still playing and kids are coming to our shows.

I grew up in a place in which, if you learned poetry, you shouted it out. Boys would scream it out and perform it and do it and flourish it.

Our modern coaching culture is not to put too much pressure on any one performance, to let an individual flourish over time.

Competition is an easy way to get into flow.

I go with the flow of the film. I feel if it's the demand of the script, then you should do it.

I think audiences sometimes mistakenly assume a quality performance comes from some great emotional disturbance rather than really intense concentration. Concentration and flow is what it's all about.

I think about trying to make it better. That's all I do when we play 'Even Flow' or anything off of 'Ten': 'Let's do this the best we can.'

While acting, you just go with the flow of what you are feeling, but dubbing requires recreating and reliving those emotions all over again. So it's very necessary to match up to the performance in front of the camera.

I'm a rhythm player. I need to set people up, I need to be in the flow of the game.

I'm just going to continue to make good plays. Making the right decisions, good decisions with the ball so my team can play with a great flow.

When I do get in the game, just getting me going. How do you get me going? If that's running plays or things where I can impact and get going. But once I'm in the flow, I'm in the flow. It's hard to get me out of that.

I take a subject, then I go on stage, and whatever is in there comes out. You can edit as you go and continue to work it out on stage until it's something you like, but I never think about it. I just go up and flow.

Singing Flower of Scotland was the only thing that made me nervous.I don't get nervous doing my own shows.

You don't ask if an aircraft is being flown by a man or a woman - if it flies, it means it's doing the job it is meant to. The same is with cinema, and all that matters is whether the film works or not.

It's just that you got to play according to the situation and what the team demands. I know that I can play in both flows.

I think once you see a couple shots go down, and when you're getting shots in rhythm, the game flows.

Some games you're gonna have seven shots, some games you're gonna have 15, it just ebbs and flows with the game.

I'd really like to do 'Floyd Collins.' I love Adam Guettel.

In 100m, the timings fluctuate.

Believe me, I've never trained in acting. All the fluidity, the confidence you may see on screen comes from my stage performances in school and college.

Show business is - you're there by somebody's fluke. And as long as somebody likes you, and the show is going well, you're fine. I'd do anything. There's so much I want to do.

There is a part of your brain that has to stop when you're acting. You have to be in the moment and dare to fly. Words can't be on your mind.