Quotes About Performance

I've only dressed in drag three or four times.

I love batting at four.

I was working at this club in downtown L.A. from four to eight at night, just Eddie Rubin, the drummer, and I.

It's very hard for most players to be at the top in a four-year cycle.

I played American when I was, like, fourteen, and I was awful. I cringed the whole way through.

This game is about engagement and respect, whether you're playing in the Champions League or in the fourth division.

Some people are brilliant on the first take, some people are brilliant on the fourth take, and when you are doing a group scene, you kind of have to figure that out.

I loved Bob Hope and the way he would turn to the camera and break the fourth wall.

Of course I want to be on the floor in the fourth.

The people who are at home watching want to see the fourth and fifth round.

I played the piccolo in the 'Ides of March' and 'The Fantastic Mr. Fox' score.

We always do this fox sign that appears in our choreography very often. Our fans enjoy doing this sign together at our shows.

Mimi Fox is one of the most exciting contemporary jazz guitarists I've heard.

Every performance is always new, because it just depends on who is summoned by the Fox God.

Singing in front of people, I learned a lot more about fragility and strength.

I'm the wrong person to not be professional around. When someone calls 'action' and we're in the frame together, I'm gonna run you over. You're gonna get eaten alive.

Once the makeup is on, it is easy to enter the character's frame of mind.

I will have a playlist ready that I'll play out to the audience before I walk on stage, and I'll listen to that same playlist in the room, so by the time I walk on stage, I'm in the same frame of mind the audience is.

When you are in a good frame of mind then the performance is going to be better.

We must condition the players. They need to get into the right frame of mind in the hours leading up the game.

People think it is such an easy life, and you just go get ready, and someone does your hair and make up, and all you have to do is say a few dialogues. But there is lot more behind it. You are getting into a particular frame of mind to get into a scene; you have to get your emotion right.

When the frame's safe, I like to let myself go a bit; play a few more entertaining shots rather than just getting the frame over and done with.

People say, 'How would you do in the men's game?' I say, Give me a man's frame, and I think I'd do O.K.

I always go for centuries at the end of frames because it gives the fans a chance to celebrate.