Quotes About Performance

The main thing about the Globe is there's 700 people all standing right in front of you.

What really matters is who you are when you step on the field, and I will let my bat and my glove speak for themselves.

My all-time favorite is 'Charulata.' I find it to be a complete film. The performances, the art of story telling, the camera work - everything fits like a glove.

Filming 'Glow' helped with my confidence.

I was amazed at the rosy glow that can be around one when you're in a film that's done well.

When I read what 'GLOW' was about, it just felt like something where I could make as many faces as I wanted, and it would totally make sense!

As an actor, I know roles go away. You get another job.

I'm nervous before all games, but once I hit that first shot, the jitters go away.

When you hear Bollywood, you think about everything mainstream, song-and-dance, hero-heroine. I don't think that will ever go away.

No matter how tired you get, when you get in that ring and hear that crowd road, everything will go away.

I try to do my best to differentiate each fella, each spirit, from the next one... and once it's exorcised it doesn't just go away. It becomes a part of you. So every role becomes a part of you.

There have been a couple of times I've started the song in the wrong key. We stop the song, we all laugh together and we start the song again, and we go for it.

I can't read sheet music, I have to just listen to it, and then just go for it.

If you get satisfaction out of playing music and entertaining people and it makes you feel right, then go for it.

My agents and my managers are very good at whittling things down to the things they think I would be good at and that I'd respond well to, and that includes theater, TV and film. Whatever it is, if the material is right for me, then I'll go for it.

I'm up for doing a part if I thought the part was right and the people want to consider me for a part. If I thought the part was absolutely exciting... I would go for it.

I'm very much in denial that I can't dance. I really go for it, which is almost more embarrassing.

There are some actors who will come in firing and they just want to go for it. But they don't want to do a million takes.

You go into an audition, you're either the one or you're not, and if you're not, you go home. And I kind of like that. If you're really good, and you're the best guy in the room that day, you get the job.

If you do a scene the right way, you can go home at the end of the day and really feel like you accomplished something.

It's fun to play a dark character, but you go home at the end of the day not feeling very good about yourself. You go away feeling dirty. It seeps into the air.

For filming, we have to wear a lot more makeup than we usually would. At night, I have to go home and take off all the makeup and take my hair out from my bun and just get out of the dancewear and everything.

Most films, when you finish as an actor, you just go home.

The script looks huge when you first get it, but you just have to go home and drill the lines out. The more you read it, the shorter it gets. I usually read it at least four times.