Quotes About Performance

It's important to be professional and do a good job for Al Ain, because I have had a good time in the club. And once the season ends I will make a decision.

You've got to be this massive entity on stage, and just bring people in and make them have a good time.

If you weren't nervous, you wouldn't have such a good time knowing that you did a good job.

Do good work.

I'm getting some really good work. And because I'm delivering what they want, more good work is coming my way.

A lot of time, you play well and you do good work, but you are not on a good team, so it really doesn't mean anything.

Whether you're doing Shakespeare or Disney, good work is good work.

Good work will come to you when your film does well.

Seems to me that this business, for actors anyway, is not so much about whether or not you do good work. It's about whether or not you get the chance to do good work.

I was watching the last season of 'Mad Men,' and they're now so in their characters and they're so comfortable in their characters, and they're doing such good work. That can only happen from doing it over and over, and developing a character over seven years.

The audience is expecting good work from me. They want me to do roles that are unique and important in the story. So, I am trying to focus on different characters to play. I am doing the kind of films which are completely different from each other.

What's important is to do good work and interesting roles.

As an actor, you think to yourself, 'I want to do good work,' but you also want the work that you do to make an impact in some way.

I want to do good work and not take on any movie. I want to do a good movie where I have the most important or very good role.

I am ambitious to do good work and do it really well.

I always wanted to do good work and play strong parts.

Me and Kyle O'Reilly have wrestled all around the world. We've done good work.

I want to do good work in cinemas and on OTT.

For the virtuoso, musical works are in fact nothing but tragic and moving materializations of his emotions; he is called upon to make them speak, weep, sing and sigh, to recreate them in accordance with his own consciousness. In this way he, like the composer, is a creator, for he must have within himself those passions that he wishes to bring so intensely to life.

The Austrio-Hungarian composer Franz Liszt (1811-1886) was a pianistic miracle. He could play anything on site and composed over 400 works centered around his instrument. Among his key works are his Hungarian Rhapsodies, his Transcendental Etudes, his Concert Etudes, his Etudes based on variations of Paganinini's Violin Caprices and his Sonata, one of the most important of the nineteenth century.

You say 'I' and you are proud of this word. But greater than this- although you will not believe in it - is your body and its great intelligence, which does not say 'I' but performs 'I'.

The sum of the inner movements which a man finds easy and as a consequence performs gracefully and with pleasure, one calls his soul; if these inner movements are plainly difficult and an effort for him, he is considered soulless.

These trumpeters of reality are bad musicians.

What a man is begins to betray itself when his talent decreases—when he stops showing what he can do. Talent, too, is finery; finery, too, is a hiding place.