Quotes About Decision

I was offered a series by John Carpenter after I did the movie 'Christine,' and I would've been a leading man after that. I would have played a private investigator. And I was offered a great deal - I would be involved in the direction, casting, everything, and whatever. It was whatever an actor wants, and I didn't take it.

Milan offered me something. I was very interested by the project. It did not happen for many reasons.

After having acted in films down south, I always wanted to work on the small screen but couldn't say yes to everything that was being offered to me.

I chose to continue independent because, at the time I was being offered deals, it wasn't fitting into what I'd imagined. I decided to take a gamble on myself and see what happens.

I took parts that either I was offered or felt I could do a good job with.

I was talking to different labels: Columbia, RCA , Epic. I decided not to sign with Epic even after L.A. Reid offered me a crazy deal.

I just realized I wanted to do more than ballet. I was offered an apprenticeship, so I was about to join a company and drop out of high school, and then it hit me: I didn't want that anymore.

If someone offered me a movie, I will take your script.

I turned down a film that was offered to me in the very early '80s, a Scorsese film. That probably wasn't a good career move.

The approach I take in selecting a script is based on what I fancy from the the scripts I'm offered.

As an actress, all I can do is choose from the films I am offered.

At the same time most people were getting out of college, I was offered a buttload of cash to star in a movie. I don't think most students would have said no.

Bejoy Nambiar had offered me 'Shaitaan' some years ago. But I wasn't confident about my Hindi.

I was offered my first film right after my 10th board exams. Back then, I didn't even know they made films in the South. Films, I thought, were either in Hindi or English.

'Aiyyaa' was not the first film that I was offered in Hindi... it was the first film that I wanted to do in Hindi.

If something sounds good, and I get a good feeling about it, I'll take it, irrespective of the fee being offered to me.

When 'Baby Come Naa' was offered to me, I found the script so mind-blowing that I had to gather the courage to perform or it would have been completely my loss.

I pick up what is offered to me. And if somebody is not offering me the right role and right film then I am not going to choose.

We had labels offering us deals the first year we formed - 1995 - but we were afraid of them going, 'Let's change this and that.' We had labels telling us to get rid of our singer. I look back sometimes and go, 'Imagine if we had done that-what a shame it would have been?'

I had better offers financially but from the first day I said I want to come to Liverpool.

When Atletico tried to buy me back, I did everything I could to make it possible. I had offers from clubs in France and Italy, but I would not have left Chelsea for any other side - only for Atletico Madrid.

I had to think really hard about how to choose between job offers.

I guess when somebody offers you a movie, you don't say no. That's what I've learned.

There were a lot of offers before 'Vicky Donor,' but I wanted to wait for the right opportunity.