Quotes About Novelist

A Clockwork Orange is too didactic to be artistic. It is not the novelist's job to preach; it is his job to show.

I wish people would think of me as a musician who writes novels, instead of a novelist who writes music on the side.

It is the novelist's innate cowardice that makes him depute to imaginary personalities the sins that he is too cautious to commit for himself.

The autobiographer, for his part, is imprisoned in his own egotism. He must always be suspect. In contrast with the other two, the novelist is a god, creating his man, making him breathe and walk. The man, created in his own image, provides information about the god. In a sense you know more about Balzac and Dickens from their novels, than Rousseau and Casanova from their Confessions.

Perhaps no terms have been so injurious to the profession of the novelist as those two words, hero and heroine. In spite of the latitude which is allowed to the writer in putting his own interpretation upon these words, something heroic is still expected; whereas, if he attempt to paint from Nature, how little that is heroic should he describe!

A novelist's characters must be with him as he lies down to sleep, and as he wakes from his dreams. He must learn to hate them and to love them.

Essential characteristic of the really great novelist: a Christ-like all-embracing compassion.

Apparently the age of romance was not dead, and there was common ground upon which the wildest imaginings of the novelist could meet the actual scientific investigations of the searcher for truth.

Se trata del proceso de separación de los Dundas [...]. El marido era abstemio, no existía otra mujer, y el comportamiento del que se quejaba la esposa consistía en que el marido había adquirido la costumbre de rematar todas sus comidas quitándose la dentadura postiza y arrojándosela a su esposa, lo cual, estará usted de acuerdo, no es la clase de acto que se le suele ocurrir a un novelista corriente.

The other day I came across a book which illustrates in a rather droll way the extent to which Northern European women have taken it for granted that this peculiar North European form of the subjection of women since the Reformation was characteristic of the whole past of Europe. It was a little essay by an English writer, Virginia Woolf—I confess that it is all I have read of hers,1 but she is said to have a great reputation as a novelist.

Harry Sinclair Lewis was born on February 7, 1885 in Minnesota.

The novelist is like the conductor of an orchestra, his back to the audience, his face invisible, summoning the experience of music for the people he cannot see. The writer as conductor also gets to compose the music and play all of the instruments, a task less formidable than it seems.

A novelist has two lives-- a reading and writing life, and a lived life. he or she cannot be understood at all apart from this.

The novelist is condemned to wander all his life. Homeless and blind like Oedipus he wanders until death. And so let us protect the novelist and adore him, with pity, honor, and love.

I don't think any novelist is happy being just a novelist. I'm sure you know this. We should be poets. We should be composers and we should be making language do things that the novel won't allow you to do. This is what I've been trying to do for a long time.

The S. D. D. comes out in June, I'm told. Prepublication sales have been quite good and Cape are reissuing STG and Less Than Angels. I don't think I shall ever be liable for VAT but I have bought a new account book (as advised in the last no. of The Author – I expect sales have shot up!). But the main thing is to feel that I am now regarded as a novelist, a good feeling after all those years of 'This is well written, but…

One more recent novelist to come along is Cormac McCarthy. Him, I like.

You say that you hope I will be recognized as the best novelist of my generation. I want you to know now and know completely that that would mean to me absolutely nothing.

To my ear, the term 'comic novelist' is as redundant and off-putting as the term 'literary novelist'.

But every writer, especially every novelist, has a 'message,' whether he admits it or not, and the minutest details of his work are influenced by it. All art is propaganda.

To me, the newspaper business was a way to learn about life and how things worked in the real world and how people spoke. You learn all the skills - you learn to listen, you learn to take notes - everything you use later as a novelist was valuable training in the newspaper world. But I always wanted to write novels.

A couple years ago, the novelist Russell Banks told me he was reading the ancient Greek historian Herodotus. I asked why. He said, 'Because I've always wanted to and am tired of having my reading assigned.' I thought it was a marvelous declaration of independence.

I've been a novelist since 1995 and have had novels in and out of option, and watching that process just made me realize that I have to live by what I teach my students, because I teach screenwriting at Spellman.

Even when I was living below the poverty line as a novelist, I was still living better than 99.5% of the human population of the world. But in my little, soft realm of trying to amuse a few dozen middle-class people with my books and articles, I did struggle to survive in my own way.