Quotes About Fear

It was not death or dying that frightened him, but the unexpectedness of both. In sorting it all out, he hit on the notion that if one day a year were devoted to it, everybody could get it out of the way and the rest of the year would be safe and free. In this manner he instituted National Suicide Day.

Her mind traveled crooked streets and aimless goat paths, arriving sometimes at profundity, other times at the revelations of a three-year-old. Throughout this fresh, if common, pursuit of knowledge, one conviction crowned her efforts: ...she knew there was nothing to fear.

More than fear of loving bears or birds bigger than cows, I fear pathless nights. How, I wonder, can I find you in the dark?

I am nothing to you. You say I am wilderness. I am. Is that a tremble on your mouth, in your eye? Are you afraid? You should be.

This here Sethe talked about love like any other woman; talked about baby clothes like any other woman, but what she meant could cleave the bone. This here Sethe talked about safety with a handsaw. This here new Sethe didn't know where the world stopped and she began. Suddenly he saw what Stamp Paid wanted him to see: more important than what Sethe had done was what she claimed. It scared him.

Suspended between the nastiness of life and the meanness of the dead, she couldn't get interested in leaving life or living it, let alone the fright of two creeping-off boys. Her past had been like her present—intolerable—and since she knew death was anything but forgetfulness, she used the little energy left her for pondering color.

She knew Paul D was adding something to her life—something she wanted to count on but was scared to... His waiting eyes and awful human power. The mind of him that knew her own. Her story was bearable because it was his as well—to tell, to refine and tell again. The things neither knew about the other—the things neither had word-shapes for—well, it would come in time.

Things got better but I still had to be careful. Very careful in how I raised her. I had to be strict, very strict. Lula Ann needed to learn how to behave, how to keep her head down and not to make trouble. I don't care how many times she changes her name. Her color is a cross she will always carry. But it's not my fault. It's not my fault. It's not my fault. It's not. Bride I'm scared.

She is not so afraid at night because she is the color of it.

What he might call cowardice other people called common sense.

And when she stepped foot on free ground she could not believe that Halle knew what she didn't; that Halle, who had never drawn one free breath, knew that there was nothing like it in this world. It scared her.

Make a difference, does it? You stay the night here snake get you.

The Thing to fear was the Thing that made her beautiful, and not us.

Fondling their weapons, feeling suddenly so young and good they are reminded that guns are more than decoration, intimidation or comfort. They are meant.

Reverend Father is the only kind man I ever see. When I arrive here I believe it is the place he warns against. The freezing in hell that comes before the everlasting fire where sinners bubble and singe forever. But the ice comes first, he says. And when I see knives of it hanging from the houses and trees and feel the white air burn my face I am certain the fire is coming.

It was not death or dying that frightened him, but the unexpectedness of both.

He couldn't stay there surrounded by a passel of slaves whose silence made him imagine an avalanche seen from a great distance. No sound, just the knowledge of a roar he could not hear.

Art is not mere entertainment or decoration, it has meaning, and we both want and need to fathom that meaning – not fear, dismiss, or construct superficial responses told to us by authorities.

So he had said always, so she would not have to be afraid of the change—the falling away of skin, the drip and slide of blood, and the exposure of bones underneath. He had said always to convince her, assure her, of permanency.

The doctor raised the gun and pointed it at what in his fear ought to have been flaring nostrils, foaming lips, and the red-rimmed eyes of a savage. Instead he saw the quiet, even serene, face of a man not to be fooled with.

A shudder ran through Paul D. A bone-cold spasm that made him clutch his knees. He didn't know if it was bad whiskey, nights in the cellar, pig fever, iron bits, smiling roosters, fired feet, laughing dead men, hissing grass, rain, apple blossoms, neck jewelry, Judy in the slaughterhouse, Halle in the butter, ghost-white stairs, chokecherry trees, cameo pins, aspens, Paul A's face, sausage or the loss of a red, red heart

More awful than the fear of danger was the fear of looking foolish—of being excited when others were laid back—of being somehow manipulated

I have been told that there are two human responses to the perception of chaos: naming and violence. . . There is, however, a third response to chaos, which I have not heard about, which is stillness. Such stillness can be passivity and dumbfoundedness; it can be paralytic fear. But it can also be art.

The piece of sky she could glimpse was a dark carpet of gleaming knives pointed at her and aching to be released. She felt world-hurt—an awareness of malign forces changing her from a courageous adventurer into a fugitive.