Quotes About Villains

Our gazes locked, so much passing between us. In those moments, I wasn't in a tent with him, on the run from those who regarded us as villains. There was no murderer to catch, no Strigoi trauma to overcome. There was just him and me and the feelings that had burned between us for so long.

war. Or, rather, wars. Not one, not two, but many wars, both big and small, just and unjust, wars with shifting casts of supposed heroes and villains, each new hero making one increasingly nostalgic for the old villain. The names changed, as did the faces, and I spit on them equally for all the petty feuds, the snipers, the land mines, bombing raids, the rockets, the looting and raping and killing.

who all are former villains. How do you like them poison apples?

Stabbingtons

Well, it seems to me that there are books that tell stories, and then there are books that tell truths... The first kind, they show you life like you want it to be. With villains getting what they deserve and the hero seeing what a fool he's been and marrying the heroine and happy endings and all that... But the second kind, they show you life more like it is... The first kind makes you cheerful and contented, but the second kind shakes you up.

I had a sympathetic role in 'thirtysomething,' and in two weeks I'm going to do the role again. But in the movies, I just love the heavies. It's much more fun. Villains are a ball. People have been laughing at me for 50 years, so I love to sit in the back of the theater and listen to them hate me.

When you're writing for a game - even if you're using very well known characters like Batman and his villains who lend themselves to many different interpretations - you have to keep in mind that you're writing for a different medium. Things are a bit more straightforward than it is for a feature film or a TV show.

I'd write of people and places like I knew, and I'd make my characters talk everyday English; and I'd let the sun rise and set in the usual quiet way without much fuss over the fact. If I had to have villains at all, I'd give them a chance, Anne--I'd give them a chance. There are some terrible bad men the world, I suppose, but you'd have to go a long piece to find them...But most of us have got a little decency somewhere in us. Keep on writing, Anne.

Jill, like Nan, was at the stage when she adored villains. There was no surer passport to her favour than to look as if you were the wreck of a misspent life. 'Or a remorseful pirate,' Nan had said. 'It would be better still for him to be an unremorseful one,' said Diana. Jill felt that she would die for an unremorseful pirate.

I'd write of people and places like I knew, and I'd make my characters talk everyday English; and I'd let the sun rise and set in the usual quiet way without much fuss over the fact. If I had to have villains at all, I'd give them a chance, Anne—I'd give them a chance.

He needed time to adjust to real life, where heroes and villains could not be told apart by their looks or their accents, where there were no last minute reversals of fortune.

There are so few true villains, just other screwed-up people who pass the damage on.

It is vampire trickery, but as Richard said things he truly believed, so I think Anita and I have come to an understanding. We are tired of this, Ulfric. We are tired of you making us the villains. If we are the villains, then let go. If we are not the villains, then hold on, but either way, you know what I must do now. If you do not wish to be part of it, then you must separate from us.' 'Let

You don't return people's smiles—it's perfectly clear to you that people can smile and smile and still be villains.

Reading the fascinating transcript of the trial has the effect of demythologizing both the heroes and the villains. For example, Justice Robert Jackson, the American chief prosecutor and hero of Nuremberg, is shown as a bungling cross-examiner who loses virtually every verbal battle with Göring. Jackson was unprepared and sloppy, while Göring was ready for every question with a precise Germanic recollection. At

I love you, but why must you love the law? 'Tis plain for all to see that she's a whore...that virtuous persons have no need to woo; that villains screw, then studiously ignore.

During the years we were together we fought the strangest villains of all time...villains like the Firebug and Young Nastyman...don't say a word...and the most troublesome of the lot, the freakish dwarf genius called Doctor Gargunza...

Through Karna, Vyasa reiterates that our knowledge of the world is imperfect based on perceptions and false information. We are surrounded by Kuntis who hide the truth in fear. We are surrounded by Karnas, villains who are actually brothers.

Do you see me as hero, villain or victim? If yes, then you are not doing darshan. If you can empathize with the fears that make people heroes, villains and victims, then you are doing darshan. For then you look beyond the boundaries that separate you from the rest.

The aim of his narrative is to remind all not to judge people without knowing their story. Even the worst of villains has a story that perhaps explains their actions, without condoning them.

If you can empathize with the fears that make people heroes, villains and victims, then you are doing darshan. For then you look beyond the boundaries that separate you from the rest.

Even the worst of villains has a story that perhaps explains their actions, without condoning them.

There are eaters and the eaten. The tiger does not resent the deer that gets away. The doe does not resent the tiger that captures her fawn. They are following their instincts. Plants and animals live; humans need to judge, for we need to feel good about ourselves. That is why we create stories, full of heroes and villains, victims and martyrs

I play so many villains and strange, troubled people. I don't have that kind of life. I live in the country. I've been married nearly 50 years. I have a cat.