Quotes About Voice

The directness of my mother is clearly in my voice. Her opinion is always a very strong opinion at the dining room table. I think she empowered me to have the same drive.

There is a certain highlighting of issues, be it emotional, be it social, or simply an entertainment one: they can be written or directed by a woman differently, with a different voice. I feel that their voice needs to be given more stage and more space.

I like to express myself fully with my body, with my language, with my voice, and through directing.

I had also done a little disc jockeying.

I have discipline; I look after my voice.

Just about every actor wants to be a Disney cartoon voice at some point.

As revolutionary, I have no right to disregard the voice of the people.

Bring it on. Dissent is central to any democracy.

I don't want our right to be able to speak and dissent to be taken away.

I have an original voice. It may not be the best voice, but it's distinct, and I think that's what has carried me through the years.

I feel like I have a distinct voice.

But, I think that as long as you have a distinct voice and personality, you can kind of dress how you want.

My voice is distinctive: there's a rhythm to it, and also, it's funny. I was just blessed with a funny-sounding voice.

I always enjoyed singing but I was never convinced that I had a big voice like that, that was distinctive, I just thought I can sing in the choir.

You don't have to have a great voice to sing, just a distinctive one. But make sure you say the words clearly and tell a story.

In an encounter with divine reality, we do not hear a voice but acquire a voice, and the voice we acquire is our own.

I have to have some of my voice because I have my own experiences that I lived through.

At the core of what I'm doing is a belief in the audience, a belief that populism doesn't mean dumbing down theater, but rather giving the audience a voice and a role in experiencing theater.

I like to experiment with my voice, besides music.

You can assist another director and learn the ropes of the craft over the years, but becoming a director is about finding your own voice, so you've got to experiment.

E-40 taught me a long time ago to try different things with my voice, experiment, and only roll with it if it feels right.

I like to follow the training session with my voice. To call at them and explain my reasons and my ideas of football. It's important to make them understand: when to move, to time it right, not wrong - the right movement.

I realized that there was much more to my voice than I'd ever been led to explore and that I could make my own songs.

It's exhilerating to be able to explore my own voice.