Quotes About Voice

It was really fun to start writing movies because you could actually take characters whose voice you enjoy writing in and have actual things happen to them for more than five minutes. It was really fun to thread it together.

Voice work is fun. But about three-quarters of the things you enjoy about acting are just not there. You're not working with another actor; you're not working with an audience. You're just working with a bunch of writers and a microphone. It's very abstract.

The thrill of hearing your own voice recorded is still there, I still love it, going into the studio and thinking how can I sing this song and between the producers and the musicians you find a way of doing it.

Country was always in the background, but now it's the voice of the people. That's what the people want to sing, you know? I'm really thrilled to be a part of it.

With a creature, there's no voice, so the eyes become the voice. When you get eye-to-eye contact, a real connection, it's limitless - and incredibly thrilling.

Support the female voice in all its forms. Support other female creators and work to make an environment that is inclusive and allows female-led projects to thrive organically.

If you can sing, you never lose your voice. If you don't know how to sing, your voice goes away because you sing from your throat.

I did have a lucky thing going on there in my throat.

Sometimes a role might be difficult on my throat.

I'm actually a survivor of throat cancer so I'm very, very careful with my voice.

I find standard American the hardest. It really fits in a different place in your mouth. Southern, I find the easiest. If you talk to a dialect coach and you get sort of technical, where an English person keeps their voice in their throat, a Southern person does the same, and it's got the same sort of music to talking.

Many composers today don't know what the human throat is.

You'd have a good voice, if it ever came out of your throat.

When I was a kid, my aunt coached me a little bit for choir, and what she taught me actually stuck with me. She basically taught me to sing from my diaphragm and not from my throat.

In fact, I started my career as a theatre actor, along with Sachin Khedekar, with a musical play called 'Aflatoon,' where I sang quite a bit. So, singing isn't alien to me, but over the years, because of the constant abuse of smoking that I've put my throat through, my voice doesn't sound as good.

If that voice that you created that is most alive in the poem isn't carried throughout the whole poem, then I destroy where it's not there, and I reconstruct it so that that voice is the dominant voice in the poem.

The nice thing about animation, you don't even really have to account for yourself. All of the physical stuff that you work on as an actor, you just throw away.

Since the advent of the Internet - more recently compounded by blogging - everyone can be a published voice. Any cowardly, anonymous anger-monger can have an audience of thousands. That doesn't make them a journalist any more than my throwing an onion and a few carrots into a pot of boiling water makes me Julia Child.

I think to be in exile is a curse, and you need to turn it into a blessing. You've been thrown into exile to die, really, to silence you so that your voice cannot come home. And so my whole life has been dedicated to saying, 'I will not be silenced.'

I think Young Thug has such a weird style I love, especially the things he does with his voice. It just sounds different.

Some readers may be disturbed that I wrote 'The Secret Life of Emily Dickinson' in Emily's own voice. I wasn't trying to steal her thunder or her music. I simply wanted to imagine my way into the head and heart of Emily Dickinson.

This is the most rewarding experience ever, taking on the role of Thunder as an actress. I'm just grateful and honored to give my voice to Thunder because she's so bold.

I loved being a soprano. It was one of my very favorite things in life, and thus far, and losing that voice was a profound emotional moment for me in my life. I never became that interested in my adult male singing voice.

You had 42 blacks that ran on the Republican ticket this Cycle, 14 made of them made it to the general election and two of us made it to the House of Representatives. So I think that there is a new movement that needs to have a voice in the Congressional Black Caucus.