Quotes About Voice

I love doing my music videos. I have grown up loving independent music and I am more of a performer than a playback singer and hence I want that if it's my voice, then it should be my face too.

I think Americans still can't help but respond to the natural authority of this voice. Deep down they long to be told what to do by a British accent. That's why so many infomercials have British people.

The whole time that I was doing the voice of Korra, I would always joke around saying that nobody's gonna give me a job as an action star or a hero. I just do silly comedy.

I know there's been a lot that's been said about animated voice work, as though it's 'you can do this in your jeans and there's no camera and no pressure there. It's no big deal. It's easy.' The truth is, it's really a great test: how deep is your ability is to access your imagination?

I was encouraged to use my voice and explore my passions outside of the sport. And when I did that, I was finally able to realize my true self-worth. I was more than that of a gymnast.

As abhorrent as some of this content can be, I do think that it gets down to this principle of giving people a voice.

I feel like the timbre of your voice as a woman doesn't cut through as well as a loud bassy voice, so you need to noticeably speak up.

I always wanted to be a singer, and so, when I was 5 years old, I started acting classes so I could be a better performer. I wanted to have a powerful voice so I could be heard.

The more cynical commentators on our careers would say that the northern accent has been the basis of our success. There's a certain authenticity to the voice - which isn't to my credit; I was just born there.

When I was 6, I opened my mouth and didn't stop singing. I had a voice and wanted to use it.

This obedience to the voice of the Earth is more important for our future happiness... than the desires of the moment.

My main horn is a hybrid of a flugelhorn a coronet and a trumpet, but that's really because, for me, each instrument to me had a different voice, and I liked them all, but I didn't like any one of them singularly.

There has been throughout this country and throughout Europe really an attempt silence the conservative voice. We get identified, caricatured and then demonised and made to look as though we are some kind of sinister, fascist, racist kind of people.

When you do an animated movie - at least the ones that I've been a part of - you never see any of the other actors. It's all done separately with headphones in a voice booth.

You are an instrument if you understand your voice and how to use it - this sound, that sound and certain ranges and different pitch. Within that I try to find a rhythm and play the voice as if it was a horn.

I'm not an impersonator. I've only got one voice and only do one guy and his first-person essays.

Fans make you understand it was more than music to them. It was a movement, a voice they felt they didn't have that we expressed for them.

My singing voice is awful.

With us city girls, there is an assumption that we have the space to raise our voice.

The sound of a mother's voice expresses a feeling of intimacy, which has a truly magical effect on the listener.

I'm lucky because my repertoire is so specific, and theaters are interested in me singing my repertoire because it is not done so much. I'm pretty well settled in my repertoire. I like what I sing. My voice is high, and there is not much in baroque opera for higher tenor.

Canadians want to elect good people to be their voice in Ottawa.

SpongeBob's voice is really pingy and forward and nasally. The problem is, if you live in the extreme of that for more than 10 minutes, it can be a little grating, and it can be hard on your voice. Also, it gets in the way of the acting to be forcing your voice into this place.

I'm here to play certain characters and give them a voice that they might not have had. That's my job, and like it or not, that's what I'm here to do.