Quotes About Voice

But I know just what it feels like to have a voice in the back of my head, like a face that I hold inside, face that awakes when I close my eyes, face that watches everytime I lie, face that laughs everytime I fall. (It watches EVERYTHING) ... But the face inside is hearing me, right beneath my skin.

I don't know what stressed me first Or how the pressure was fed But I know just what it feels like To have a voice in the back of my head

There are only two ways to deal with the media: either elect to take the Buddha's vow of eternal silence, or make one's voice known as responsibly as one humanly can, and take the consequences.

in art your limitations are also your strengths. What you're not good at, what you can't think of, even the mistakes you make all contribute to your personal style. To have no such constraints is to be shapeless, she said, and to have no voice. This dictum helped explain Kay's growing identity crisis.

I watch her as she leaves. Everything about her is fluid as a river. Her messy hair, her xylophone voice, the strokes of her paintbrush. Even her camouflage army jacket hangs loose, flowing like ribbons.

A brand is a voice and a product is a souvenir.

Oh, you know,' she says, her voice cracking slightly. 'Just your typical level-two fucked-up rich girl having a stupid crisis. Just ignore me. It's best.

She let a teasing tone enter her voice. 'Is there any emergency for which you are not prepared, Mr Swift?' 'Miss Bowman, if I had enough pockets I could save the world.

Hunt and Annabelle stared at each other in silent bemusement, as if someone had posed a question that neither of them knew how to answer. The moment lengthened uncomfortably, until Simon Hunt finally spoke. "A pretty sound, that," he said softly. Annabelle struggled to find her voice. "What is?" she asked. "Your laughter.

We always do kinda like the bare bones representation or variation of the voice and drums, which is what we feel is the foundation or backbone of rapping and hip hop.

Every book I write, the first thing I have to do is get into the voice, and the voice varies from book to book - that's part of what's interesting to me.

When a music teacher that I had at school was taken ill and we had a variety show and I had to fill in - that's when I realized I had a voice.

I'm out there arguing the Labor case. I will do it anywhere and everywhere that I can. I do it within various communities across Australia where I am able to make a positive contribution. And let me tell you, my voice won't be silenced in the public debate because the issue at stake for Australia are so stark.

The college stations have a big voice, and I would like to become more involved with them. I would like to have symposiums with the members of various college radio stations.

It's nice, because after you've worked with various directors and producers enough times, they start to know your voice and what you're capable of.

Ninety-five percent of all writers who write do not get published, but 100 percent of all writers write because they have a voice in their head. The vast majority of writers simply write because they have to.

I think that people who have Vegas throat are people who sing from their throats only.

Being a voice for animals is something that has been so close to my heart since I was a little girl which was when I became a vegetarian. Animals have given so much to me throughout my life and I've learned so much from them.

The media can be a really strong vehicle.

I learned from an early age that my heritage, my love for people, and my desire to be a vehicle that can be used through my voice, that my expressions and actions can transport a person to experience a scene from the past, present and future.

What originates everything are the emotions, the feelings, what we call soul. Then the brain commands these feelings to the voice. The voice is just the vehicle; it's the very last step in the chain.

Your voice is not your instrument. Your voice is the character that you build, your innermost feelings, the things that you want to say, and your instrument is the vehicle that you use to carry the message.

With my trumpet voice, I love gritty, plunger, growly sounds. But vocally, I love Anita O'Day - a raspier but definitely softer sound. Part of the fun has been finding vehicles or writing for both of those sounds.

My puppets are far more liberated than I am. Ventriloquism is a useful way of expressing myself.