Quotes About Voice

For me, the singer is actually the most important element. When I work with someone, it all comes down to whether I like the singer or not.

It's almost like I get to be more theatrical when I work in voiceover.

I think voice is like a good wine. If you work it well, it will mature.

Freedom under law is hard work. If rulers cannot be trusted with arbitrary power, it is up to citizens to raise their voices at injustice.

Maybe if you had megaphones on your chest they'd listen to the words that came out of your lips

A bird that sings too much will only lose its voice, but a bird that does not sing at all will lose its symphonies.

I will stand up for Mississippi like no one has done before. My voice will resonate most strongly in our struggling communities.

With me having this raspy voice, people always asked when I was going to sing on a song. When I was going at it with 50, people were saying I don't sing on my own hooks. That always stuck in my head and people always told me I had to use my own voice not just to rap.

The way that I sing is very mumbled-together, and so I guess I'm kind of stuck with it now.

It took me quite a while to find my natural voice. I'm glad I stuck around long enough to see that happen.

For magazines seeking to extend their reach into podcasting, half the battle is finding members of staff who don't sound like the kind of people you wouldn't care to be stuck in a lift with.

As any competent student of literary composition knows, the more natural and casual a voice sounds in print, the more likely it is to have been edited time and again.

When the student has her voice under complete control, it is safe to take up the lyric repertoire of Mendelssohn, Old English Songs, etc. How simple and charming they are!

I studied voice for three months to get rid of my English accent. I changed my hair to blonde. I knew I could be sexy if I had to.

I studied voice for about two years with an amazing coach, and I never rose above the level of mediocre.

I knew that I could sing when I was young. I would listen to a lot of jazz; I'm a big jazz fan. When I first got to high school and studied musical theater, I could sing. But I added certain things to my voice, and I realized after graduating high school that this is the kind of voice I had. It's not very nimble, but it's heavy.

I originally wanted to be an opera singer. I studied classical voice at the University of Washington but soon realised I didn't have the instrument or the discipline. The road for opera singers is more difficult than for actors.

I studied with Sandy Meisner at the Neighborhood Playhouse. I was in the last class to study with him before he had his larynx removed, so I actually remember the sound of his voice. He was an incredible teacher.

Over the years, I was lucky; right from the beginning, I studied with a lady who had a lot of... she was a classical singer, and of course, they're a little bit more into, you know, preserving the voice, making sure your instrument is ready to perform.

I really studied her singing, trying to see what it was about her that made her such a natural, incredible singer. Because sometimes as a singer, you really have to work to reach a certain note. And for Donna Summer, it seemed effortless.

I studied voice and piano fairly seriously during my elementary and high school days, and as such, I became very attuned to rhythm and cadence and voice.

In the piano, one has the instrument complete before he begins; but in the case of the voice, the instrument has to be developed by study.

I get to study and I got to mimic and what I basically did was I stole from every person that I could steal from. I was an imitator. That's what I was. It was years before I could take all of these things that I loved about all of these different artists and put them together and find my voice.

In high school, I did some musicals, but I never took acting until college. I was studying opera, classical voice, and a speech teacher asked me to audition for this play, and I got the lead.