Quotes About Voice

The last person they expected to connect with a screenplay was the comedic, blonde actress with the funny voice.

In music, you feel a connection to the voice and think about the person behind it. In art that's secondary.

I think I have lived enough in this country where I can say what I think is true and which is the voice of my conscience.

I feel like you come in under a cloak of someone else's skin for a while, but then you can shrug it off - you have to find your own voice, if you want to keep doing it. That became a really conscious thing for me.

We're proud of how we've stuck together, stood our ground, surrounded ourselves with strong women and are now using our voices more than ever.

I'm one of the writers that would die if I didn't say what I needed to say. For me, it's a matter of survival to write.

That's why I survived because I still believe I've got something to say.

I'm a survivor. I'm a messenger.

So long as you tell a story that falls within the fairly generous boundaries of the suspense novel, you're free to make the novel as good as you can. You're allowed to challenge the reader. You can experiment with voice and style.

Punk may have helped me find my voice and made me realise that I had the right to have one, but it was riot grrrl that helped me sustain that voice and shout a little louder.

One of the things I learned in animation is that you never, ever want to start doing a voice that you can't sustain for four straight hours.

Bappi Lahiri has a voice that alone is loud and musical enough to sway people.

H. Jon Benjamin

I covered Halsey's song once at a concert in Japan, and she's commented on a few of my Instagram posts and it like, shocked me. So maybe one day we could get together, and that would be a dream come true because I love her voice; and she seems like the sweetest person ever.

I used to have a voice because I was interviewing people and writing, but as soon as I got swept up in the fashion world, I was just a pretty girl at a party wearing a pretty dress.

I take the work seriously. Which is why I always swing for the fences whenever I voice a character. But that said, I don't take myself all that seriously.

The simplest and cheapest of all reforms within institutional science is to switch from the passive to the active voice in writing about science.

Rather than empowering all, consumer and shareholder activism gives greatest voice to those with the most money in their pockets, those who can switch from seller to seller with relative ease. Consumer and shareholder activism is a form of protest that favours the middle classes, an outpouring of the dissatisfaction of the bourgeoisie.

You can approach the guitar like a voice. That's the best way of looking at it. If you are singing, you can't keep going a million miles an hour. You can only fit so many syllables in, so think about what you can sing through your guitar. Players like David Gilmour and Neal Schon are great at that kind of thing.

As a cartoonist, I am not interested in defending the dominant, the powerful, the well-resourced and the well-armed because such groups are usually not in need of advocacy, moral support or sympathetic understanding; they have already organised sufficient publicity for themselves and prosecute their points of view with great efficiency.

Sympathetic characters usually have a voice. They usually don't have any trouble being heard.

I was born with Kallmann syndrome. I have never complained about it, as I can't do anything to change it - and I wouldn't have acquired the voice that I have.

I'm very interested in voice synthesis and vocoders in general.

But synthesizer music has been accepted as emotional for long enough that it isn't a huge reach, conceptually, to think of a fake voice as 'emotional', especially since there's a human composing it.