Quotes About Drama

Referring to the time Invasion of the Body Snatchers producer Walter Wanger shot Jennings Lang in the groin for fucking his wife, Joan Bennett

Now, if you'll excuse me, I'm going to go home and have a heart attack.

Music in movies is all about dissonance and consonance, tension and release.

Judgment on Playhouse 90

Beirut is the Elizabeth Taylor of cities: insane, beautiful, falling apart, aging, and forever drama laden.She'll also marry any infatuated suitor who promises to make her life more comfortable, no matter how inappropriate he is.

What happened to all those leading men of the great bacchanalia? They either died of AIDS or accepted roles as supporting actors in the middlebrow drama series of hetero culture-you know, if they're to kiss, we must have sunsets in the background. Once they were proud to explore every crevice of life in the margins, now their ambition is just to get along. Color me unimpressed.

Beirut is the Elizabeth Taylor of cities: insane, beautiful, tacky, falling apart, aging, and forever drama laden. She'll also marry any infatuated suitor who promises to make her life more comfortable, no matter how inappropriate he is.

When we feel for certain that we are alive, then we know for certain that we shall go on living. Those who have never put life to the test, in all possible ways, these keep on crying out: Life is fleeting, Life is waning, Life is like a dew-drop on a lotus leaf. But, isn't life inconstant? Only because its movement is unceasing. The moment you stop this movement, that moment you begin to play the drama of Death.

I love romantic comedies, or romantic dramas - basically anything with love in it.

But I quickly came to see, she said, that in fact there was nothing worse than to be an average white male of average talents and intelligence: even the most oppressed housewife, she said, is closer to the drama and poetry of life than he is, because as Louise Bourgeois shows us she is capable at least of holding more than one perspective.

Let's just say that drama became something very real to me that day, she said. It ceased to be theoretical, was no longer an internal structure in which she could hide and look out on the wold. In a sense, her work had jumped out of a bush and attacked her. I said it seemed to me that at a certain point a lot of people felt that, not about work but about life itself.

Their father - her ex-husband - had relinquished all responsibility for them when the marriage ended: it almost gave him pleasure, Lawrence believed, to see them suffer, partly because their suffering dramatized his own - as bullies enjoy seeing their own fear in their victims - and partly because it was a sure-fire way of punishing (her)

it felt like he was acting a part in a play: other people spoke their lines and he spoke his, and everything that happened and everywhere he went felt unreal somehow, like scripted events unfolding on a stage set

I think a big part of our attraction to sport movies are the stories contained within the sports.

My awakening to the fight for women's votes came when I was 13, and the BBC screened a drama called 'Shoulder to Shoulder' about the suffragettes, with the great Sian Phillips as Emmeline Pankhurst. It made a huge impression on me - not just the history, but because of the debates it triggered at home.

People need to be peppered or even outraged occasionally. Our national comedy and drama is packed with earthy familiarity and honest vulgarity. Clean vulgarity can be very shocking and that, in my view, gives greater involvement.

We're getting bolder with our drama and we're allowing women to be unapologetic about their ambitions in a professional sense, and also about their vulnerability as mothers and lovers.

People who find that they have a lot of drama in their relationships need to allow themselves to get 'bored'. At first, it will feel excruciating, and they may find themselves confronting a very real fear underneath all that drama: being truly close and therefore vulnerable to another human being.

I wouldn't want to play a character that knew everything and knew where to go. It is much more interesting playing a character that is vulnerable trying to be strong. It makes for better TV.

Comedy is such a vulnerable thing. With drama, you're not trying to make someone cry. If you do, great, but that's not your goal. With comedy, you're trying to make someone laugh, so to me, it's harder because you are in such a vulnerable position. You're like, 'I hope people like this. I hope I do the joke justice.'

You just want to get it right so badly, so it's stressful when it comes to those vulnerable, dramatic scenes.

I think a lot of comedians make the best dramatic actresses because they have a facility. They're very vulnerable. They're very open, like clowns.

When I was in college, I was in the theater department, which for anyone who has been involved in any kind of theater program, you know that it's really wacky and tight-knit, a real family. Me and my good friends from college would do random shows and plays that were sometimes serious, but most of the time really goofy and funny.

If you're on a network show, it's either some wacky sitcom or a drama where you're servicing a procedure.