Quotes About Drama

I can't deal with high maintenance chicks.

I started drama in high school.

As for acting, I took drama lessons when I was in high school.

I went to drama school so I had quite a regimented classical training, regimented process of analyzing a script. I'll go through the whole script and highlight everything my character says about me, and in another color I'll highlight what other characters say about me, and I'll highlight all the things I say about other characters.

Politics is agony and ecstasy. The highs are amazing. The lows are excruciating.

The way that I work as an actress, I always prefer to read the whole story and tell the whole story and feel what the whole story's going to be, the journey for the audience and how it ebbs and flows, the highs and the lows.

In 'A Hijacking,' the characters are low-status people.

I once worked with Emma Thompson's mother, Phyllida Law. I worked with her on a BBC drama, and she was hilarious. I loved her so much, and she was great to work with.

Something that's a hilarious comedy, for someone else might be a drama.

I'd love to do a project that falls between drama and comedy - a dramedy with hilarious moments.

I think this show can have legs for a long time. That's why it's called 'Beverly Hills 90210' instead of something like 'West Beverly High.'

I began my career with Gujarati and Hindi plays in 1973.

Steampunk is...a joyous fantasy of the past, allowing us to revel in a nostalgia for what never was. It is a literary playground for adventure, spectacle, drama, escapism and exploration. But most of all it is fun!

Almost as swiftly as he had imagined it, she had torn her clothes off, and when she flung them aside it was with that same magnificent gesture by which a whole civilization seemed to be annihilated.

Matt Merton comes back and explains that last week's show on suicide, in which the parents watched a reenactment of their son's suicide, was a healing process for the parents, then shows a video of the parents admitting it was a healing process. (Sea Oak)

Ma was out back, head in hands, weaving in and out of her heaped-up crap. It was both melodramatic and not. I mean, when Ma feels something deeply, that's what she does: melodrama. Which makes it, I guess, not melodrama?

The dramatic arises out of the margin of opaqueness between a writer and his personages, out of the potential for the unexpected. In the full dramatic character lurks the unforeseen possibility, the gift of disorder.

Miss Grantham's sense of humour got the better of her at this point, and, tottering towards a chair, she sank into it, exclaiming in tragic accents:'Oh Heavens! I am betrayed!' His lordship blenched; both he and Miss Laxton regarded her with guilty dismay. Miss Grantham buried her face in her handkerchief, and uttered one shattering word: 'Wretch!

I find it a marvellous circumstance, cousin, that no one has yet strangled you!

You will allow that one's curiosity must be aroused when one learns that a lady is prepared to elope to escape from advances one had not the least intention of making!

If someone would have the goodness to inform me whether I am assisting at a tragedy or a farce I should be grateful

I see you will have it, Mr. Jettan. I will meet you when and where you will. Philip patted his sword-hilt. I have noticed, Mr. Bancroft, that you habitually don your sword. So I took the precaution of wearing mine. 'When' is now, and 'where' is yonder! He pointed above the hedge that encircled the garden to the copse beyond. It was a very fine theatrical effect, and he was pleased with it.

The landlord was trying to explain that there were a great many English people in his house, all fighting duels or having hysterics.

You have had Ravenscar murdered, and hidden his body in my cellar! uttered her ladyship, sinking into a chair. We shall all be ruined! I knew it! My dear ma'am it is no such thing! Deborah said amused. He is not dead I assure you!