Quotes About Drama

I think everything benefits from a little comedy. The worst thing to me is to see a great drama or a great thriller with no laughs.

I like human stories. I like stories about situations we can relate to. I like movies like 'Ordinary People' or 'Terms of Endearment.' Mothers and daughters, fathers and sons, boyfriends, girlfriends. The stories to me that are worth telling are almost simple ones, but very relatable.

In my horror movies, I was always trying to deal with real characters and real character drama played by good actors... Laura Linney, Ethan Hawke, Eric Bana, and Tom Wilkinson, people who don't do horror normally.

I've always wanted to be in a play by Tom Stoppard.

I don't really have a lot of fun playing just straight good guys. It's not my thing. It's like Tom Hanks territory.

Going from drama to just straight-up comedy with Tommy Davidson and Jamie Foxx - what a blast.

When you look at other good-bad movies like 'Sharknado' and 'Birdemic,' those movies know that they're B movies, know that they're silly and over the top, as opposed to 'The Room,' where Tommy Wiseau, the guy at the centre of it all, he attempted to make a very earnest drama.

Considered purely as effects-driven filmed drama, 'The Day After Tomorrow' checks in somewhere in the middle of one of Hollywood's most absurd and least lamented dead genres, the disaster pic of the '70s. It's a little better than 'Earthquake' but not as good as 'The Towering Inferno,' because it doesn't star Steve McQueen and Paul Newman.

Justin Lin, the writer and director of the teenage-wasteland drama 'Better Luck Tomorrow,' a shrewdly tense piece of storytelling, recognizes that sometimes it's good for a filmmaker to stir up trouble.

I've seen my fair share of drama over the years of Children In Need. I had a close brush with mortality in 2009 when a chain collapsed from the studio rigging. I was in mid-spout to camera when I heard an enormous crash behind me - a ton of steel had come hurtling down and smashed to the ground a few feet away.

Tone is everything in TV.

I think most of my films all have a certain tone or intensity in them. They are tense, and you kind of anticipate some kind of catastrophe, but you're not quite sure.

My favorite film is 'The Empire Strikes Back.' My writing, and my personal taste in movies and books, tends toward works with a darker tone, and 'Empire' fits that the best of all the movies.

Doing 'CSI: N.Y.' is not 'CSI.' Doing 'CSI: Miami' is not 'CSI: N.Y.,' it's 'CSI: Miami.' It has a very, very specific tone. It has a very specific look. It has a specific way in which they tell their stories that's different from 'CSI: N.Y.' and 'CSI.'

In musical theater you have to be very big and very animated, while film and television are more toned down.

When I wrote 'Southern Baptist Sissies,' that was the first time that I really ventured out into pure drama with themes where there was not one laugh sometimes. But I've always gravitated organically to blending tones and usually get good reviews about that. That's what life is about.

Ian Fleming and Norman Felton were friends. 'U.N.C.L.E.' was basically a tongue-in-cheek 'Bond.' It wasn't quite as serious and dramatic as 'Bond,' nor did we have the budget for that.

Back through the ages of barbarism and civilization, in all tongues, we find this instinctive pleasure in the imitative action that is the very essence of all drama.

I've done tons of guest spots and in parts where the character invariably dies or is dead.

I played Laura Bush in a Tony Kushner piece, and afterward, I think my phones got tapped.

There's a reason Tony Stark makes fun of 'Thor,' and mentions 'Shakespeare' in the park in 'The Avengers.' It's great to play high drama and comedy alongside a modern story.

In high school, I got into a speech class run by a nun who used to put on plays. She put me in a oratorical competitive program. You would tell a story, and they were very corny, something like 'My Childhood Hero.' It was something out of 'Readers Digest.' I always thought it was too much and too dramatic.

I always have a very complex personal life as far as romance goes. Sometimes I have a little too much time to get into too much trouble... and drama. It's either I'm working, or I have nothing to do but focus on my personal life. It's a little hectic.

The last thing on my mind was to be an actor, but I had a crush on a cute girl in the drama department, so the best thing for me to do was audition, help out, do carpentry, whatever it took to get me on that project.