Quotes About Drama

Breaking Bad is one of my favorite shows, of all time.

I like projects in which I can really act and not be me all the time.

I'm not a very good actor, so I break character all the time.

I actually started in comedy, but then after 'Deadwood' I started concentrating on the dramas more. But then I just got tired for raping and killing and figured, 'It's time to do another comedy.

This, said Damerel wrathfully, is the second time you have walked in just as I am about to propose to your sister!

I think comedy is drama, often. It's hard to have comedy over a period of time - commercials are one thing, but over a period of time - comedy and tragedy go hand in hand.

There's something rotten in the state of Denmark, and Hamlet says...it's payback time!

I love being physical and acting at the same time.

I liked the theater. I liked the people. I liked the time that we worked.

[T]he Famous Rules which the French call, Des Trois Unitez , or, The Three Unities, which ought to be observ'd in every Regular Play; namely, of Time, Place, and Action.

I think the actors in 'Greystoke' were amazing. They had a really good performance coach called Peter Elliott who's, of his time, one of the greatest simian performance coaches for actors.

There are so many romantic comedies made, but very few dramas or love stories. And with a love story, you have to take time to develop three-dimensional characters.

You cannot say, because I am from Naples so I like the mixture of drama and comedy all together.

It's this simple law, which every writer knows, of taking two opposites and putting them in a room together. I love anything with Cartman and Butters at the same time, it's great.

I loathed William Frawley and the feeling was mutual. Whenever I received a new script, I raced through it, praying that there wouldn't be a scene where we had to be in bed together.

The long version of the play is actually an easier version to follow. In all of the cut versions the intense speeches are cut too close together for the audience and the actors.

I worked with my son when he was much younger; we did L.A. Law together, where I played his father and he played a kid who was suing his father for alienation of affection or something. It was great.

Matt Bomer and I went to Carnegie Mellon for drama together.

Only as she heard her own words did she realize how melodramatic, how self-pitying they sounded. And how true.

He had always a sense of waiting—waiting for something to happen, waiting to move on to the next scene of the drama.

At some point the talk got heated, and Paolo called Mother a strumpet, for which Daddy was said to have stomped a serious mudhole in Paolo's ass.

The door slammed shut behind her, and a moment later she heard what sounded like a tennis shoe being thrown against the wooden door. "I hate you!" Maggy screamed.

The notable thing about his story here is not its atheism but its fatalism. The drama that it presents of helpless humans enslaved by a callous fate-figure is, of course, not new and, like all such myths, it conveys not just meaninglessness but a positive, sinister meaning – the presence of an active oppressor.

Seriously hairy shit was going down on a regular basis.