Quotes About Drama

That was Matthew's grandmother. Nana never avoided a controversy if she could create one.

Myron was about to launch into a Berruti-type explanation of how traces didn't really work that way, but Katie never gave him the chance. "Just leave us alone!" And then she hung up. Like another dopey TV cliché, Myron said, "Hello? Hello?" when he knew that Katie Rochester had hung up and was gone. They

Where's Vickie?" Vickie was Cora's daughter. "She's spending the night at the McMansion with my ex and his horse-faced wife. Or as I prefer to put it, she's spending the night in the bunker with Adolf and Eva." Grace

Kimberly Green had a major conniption. "Are you insane?" They

The man headed to a steel door. It buzzed. The man opened it and went inside. It took about five minutes. A bald guy with spectacles entered the room. He was nervous. Big Cyndi started giving him the eye. She licked her lips. She cupped what might have been her breasts. Myron shook his head, afraid she'd drop to her knees and pantomime lord-knew-what when the door mercifully opened. The man with the sunglasses poked his head out.

Flair Hickory, celebrity counsel for the defense, stood, and not for the first time, Wendy wondered how Dan Mercer had the money to afford him. Flair wore his customary gray suit with thick pink stripes, pink shirt, pink tie. He crossed the room in a way that might be modestly described as "theatrical," but it was more like something Liberace might have done if Liberace had the courage to be really flamboyant. "Ms.

I like to make people laugh. That's for sure. And I really like to humiliate myself and go very far in derision and stuff. But no, I like everything. I started a little bit of doing drama, too. I like that, too. I guess I just want to touch everything.

My college life was brief because I started working for my debut film when I was in eleventh standard. But I have no regrets, as I stayed in touch with my friends who keep briefing me about the drama in the college. The opportunity to get into showbiz was so exciting that I couldn't let it pass by.

I'm writing a novel about two actresses who go to New York, because that's what I know about. One has lost touch with reality, disappears and is picked up by a man.

I think that's what we like to explore and see on TV these days especially in long form, is complicated people who have to make tough decisions.

It is a tough job to portray a character and make it believable on screen.

I do feel it's tougher to make a comic scene work than performing an intense scene, for example.

After drama school I did a seven-month tour of Europe performing in 'Romeo and Juliet.' I played Romeo.

Let me tell you something - compared to a TV-drama production schedule, touring is not strenuous.

I did a lot of Shakespeare touring when I was in college in Montana.

Even though the third season of 'Necessary Roughness' was only ten episodes, they were an extremely intense bunch of episodes, especially toward the finale.

I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.

From the beginning to the end of a drama, it's most important that I'm focused on the project that I'm responsible for and feel affection towards it. Then I get faith that the project will end up being good before getting fully engaged in it.

I find myself gravitating towards drama. It interests me. In the books I read, the paintings I like, it's always the darker stuff.

I probably prefer comedy. Why? I'm not sure. I feel like the energy of a comedy is a better fit for me. I try to be a happy guy! It seems that most of my life has the energy more for a comedy than for drama. I'm grateful to do both, but I would have to lean towards the comedy side of acting.

I'm not so fascinated by these ingenue roles. I tend to gravitate towards women in plays or shows or films that are more chaotic or have something dire going on.

Towards the end of the Lord Chamberlain's era, when his hold was being loosened, private prosecutions began to happen. A member of staff at the Royal Court ordered to stop the play, and the police were brought in.

The basis of drama is... the struggle of the hero towards a specific goal at the end of which he realises that what kept him from it was, in the lesser drama, civilisation and, in the great drama, the discovery of something that he did not set out to discover but which can be seen retrospectively as inevitable.

With 'Tower Prep,' Cartoon Network wanted to go into a new area where no other kids' programming was going. There were a lot of kids' sitcoms on the air, but they wanted to really go with more of like an adventure/drama feel.