Quotes About Drama

Obviously, when you come to WWE, the level of spectacle and production in what we do is far and above anywhere else I worked, so it's kind of cool to be a part of the big show now.

Music and the WWE go hand-in-hand.

The best angles and the best stories always hinge on reality. Throughout the history of WWE, all the best storylines have a little touch of what's real behind them.

WWE really likes to keep its fans on the edge of their seats and on their toes.

I did a film called 'Fort McCoy,' based on a true story of one of the few internment camps during WWII that was actually in the United States.

'Don't Look Back' is my first YA contemporary mystery/thriller. It's been described as 'Black Swan' meets 'Pretty Little Liars'.

At his heart, Shakespeare was a YA author. So many of his plays are set with high school-aged characters. He understood the passion, the confusion and drama that marks that life stage.

My favorite play that I did was at Yale. It's called 'The Island.'

I've had students at Yale: my main task with them in drama school was not helping them with their writing but showing them how valuable they were. Because they're ready to give it up and go into teaching or television.

So I decided to start writing plays, and went to Yale.

And the only studies were - Rodney Dangerfield was my mentor and he was my Yale drama school for comedy.

But to do it professionally is a quantum leap difference and my father had to be persuaded by these kind of Ivy League professors that I should go to the Yale Drama School, another one of the stories in there.

One of the reasons why I went to the Yale School of Drama is because I felt that I was acting off of instinct, but sometimes that is not reliable. When you're not feeling it, what do you do? So, going to grad school was about getting the tools to just use my instrument to the best of my ability.

Yeah, you know, within the context of TV families, these are pretty unsavory characters.

When something like that happens, people want to try to find some dirt and make it more of a soap opera. But I think we both walked away with the door still open, if we want to do something together again. So yeah, I would call it a friendly break-up.

Yeah, you know I don't ever see myself doing a super-gritty, hard-core drama.

Series Two of 'The Paradise' is meaty and thoroughly entertaining... and yeah, you're in for a good thrill ride!

I don't know if anyone knows if they're ever any good, but I went to drama school in Scotland, in a classical acting course, and my first year, I remember one of my tutors telling me that I couldn't act, and I should give up and all this sort of thing, and then, they cast me as Romeo in 'Romeo and Juliet.'

I was on 'The Shield' for a year before 'Crash' came out, and it was like doing an independent film every week.

I was quite frustrated by school and found solace in going to the drama studio, doing stupid voices, and being an idiot. I then went to Guildhall School of Music and Drama and signed with a great agent in my third year.

At 13, in my first year of Tonbridge, I went up for the part of Macbeth. I was up against the 17- and 18-year-olds, but for some reason I got the part. It made me incredibly unpopular with my peers, but it was the English and drama teachers who stepped in to save me when others wanted me kicked out of the school.

I was in high school. A couple of my friends and I decided we had to be in a class together where we could fool around, and drama was it because we'd do improvs, beating each other up. They left a year later, and I stayed in and got a knack for it, and enjoyed the whole process.

I confess I've got a yearning to go to Los Angeles, but I can't work out if it is because a lot of British actors seem to go or because there's this perception that the bottom has fallen out of British drama, so therefore, it's the place to head for.

I graduated in 1930 and I went up to the Yale Drama School for two years.