Quotes About Drama

Caesar might have married Cleopatra, but he had a wife at home. There's always something.

We all have our genre. Some people live a tragedy, others inhabit a never-ending religious drama, some approach life as if it were an action film, and not a few act as if in a comedy. But in the end, they are all just stories.

I've acted all my life. All the world's a stage.' 'It's not.' Bressac tapped his nose thoughtfully. 'There's no rehearsal, no proper audience, no intermission, one performance only. Behind the scenes there are only more scenes. You can't tell if it's a tragedy or a comedy, but you know that, sooner or later, it'll be an historical. Daggers have solid blades and the blood is real.

I just wouldn't want to hook up with a guy unless I really, really like him, and in my experience all boys can be classified as either assholes or bores, unless they're both. Maybe it's a blessing, because the last thing I need is relationship drama to sidetrack me from my grades.

When I was in college, I was in the theater department, which for anyone who has been involved in any kind of theater program, you know that it's really wacky and tight-knit, a real family. Me and my good friends from college would do random shows and plays that were sometimes serious, but most of the time really goofy and funny.

Dramatic art is about nervous, frightened, anxious, on-edge people. Good characters are forever in trouble.

I tend to like strong female characters. It just interests me dramatically. A strong male character isn't interesting because it has been done and it's so cliched. A weak male character is interesting: somebody else hasn't done it a hundred times. A strong female character is still interesting to me because it hasn't been done all that much, finding the balance of femininity and strength. [From a 1986 Fangoria interview]

You're so stupid, Rose! - Jack Dawson

Reason we're here is because almost every lovin' kid in the Glade has come up to me in the last day or two either boohooing about Thomas or beggin' to take his bloody hand in marriage...

Mark wants to scream, to tell her not to do it. But it's too late. The woman pulls the trigger. The boat drives on.

partner—is standing there, holding her gun. Mark slouches down, waiting for the barrage of bullets. But instead, he notices the woman aim the weapon at herself, the muzzle propped against the bottom of her chin. Mark wants to scream, to tell her not to do it. But it's too late. The woman pulls the trigger. The boat drives on.

And they didn't have to get into a lot of legal speak or talk ER terms, they were real people. I think that's why so many actresses were attracted to it. And it was just about problems that you could identify with so much, right off the bat.

After the commonplaces of everyday life, with their muffled dramas, all my organic expertise for dealing with physical injury had long been blunted or forgotten. The crash was the only real experience I had been through for years.

The whole Haley-Nathan marriage deal was a pretty good twist huh? I hope we got all of you with it. That particular story line even suprised me when I read it, it's a good one and it'll provide for some good stories to come.

In the weeks leading up to his arrival by train in Pittsburgh, Alexander Berkman had been obsessed with the escalating drama at Homestead. He was living with his partner and lover, the anarchist Emma Goldman, in the New England factory town of Worcester, Massachusetts. By day the couple earned a living serving sandwiches and scooping ice cream in a small diner. By night, they made love and dreamed of revolution.

Unheard silence does not necessarily mean the death of the player. Unheard silence is not the loss of listeners for that voice. It is an evil when the drama of a life does not continue in others for reason of their deafness, or ignorance.

True parents do not see to it that their children grow in a particular way, according to a preferred pattern or scripted stages, but they see to it that they grow with their children. The character of one's parenting, if it is genuinely dramatic, must be constantly altered from within as the children change from within. So, too, with teaching, or working with, or loving each other.

The infinite player in us does not consume time but generates it. Because infinite play is dramatic and has no scripted conclusion, its time is time lived and not time viewed.

The paradox of infinite sexuality is that by regarding sexuality as an expression of the person and not the body, it becomes fully embodied play. It becomes a drama of touching.

Smith elaborated on this a year later in a book, Bacon and Shakespeare, which claimed, among other things, that the plays were meant to be read, not staged;

telephone, "Myriam's not my wife! This—" he handed

Behind every highly dramatic person lurks an unresolved trauma. Drama is his or her way of asking for love, and begging for help and understanding.

a family wanting no more than to live without challenge or drama could easily find a quiet street, and peace, provided they were fortunate enough to live in a comparatively sheltered and favoured geographical area, and provided they were able to make the mental adjustment to relegate war - and its consequences - into something that happened elsewhere and did not affect them; or something that had happened to them, but between such and such dates, and then taken itself off.

She was an actress in the theater of true life