Quotes About Drama

There's a certain joy in taking a dramatic narrative and then adding that element of horror to it.

The thing is about 'Vida,' we're telling a very simple family narrative. There's nothing fancy about it.

There is a narrative of 'Washington fighting' because it's interesting and it's drama.

The writing is only ever the attractive thing about a part. And also if all the elements within the writing come together - the character and the structure and the narrative - if they are all there then you become excited.

Television has been breaking narrative rules.

I love the show 'Nashville,' I mean, that's a show that's pretty incredible.

I get my gossip from 'Nashville' on ABC.

When people are nasty, it gets everybody's attention, and it gives them a name.

I didn't do school plays... I've never done a play in my life, actually. Not even a nativity.

I'm supposed to be the guy who hates naturalism.

Drama comes more naturally to me. It's the comedy you really have to delve into.

I started out more interested in drama, but comedy just came naturally to me, and it's become what I'm most known for, even though my sensibilities still lean towards the dramatic for the most part.

Comedy is probably a lot harder for me. Maybe it's because I've been doing drama for so long or maybe it's because... you don't want to search for a laugh; you can't try to be funny, you just have to naturally be funny or be in a situation that's funny.

Oh, I am not naturally gifted in dancing in any way! Stupidly, I didn't go to those classes in drama school. I was like, 'I don't need that; I'll never be dancing in anything.'

Experience means conflict, our natures being what they are, and conflict means drama.

I just wanted them to die, said Poison. They didn't have to make such a drama about it.

I absolutely love you, Briony, and I am on my knees. So we're getting married - right? But say it fast before we get shot. Only Jack would ask - if you could call it asking - in the middle of a battlefield, with a man lying dead at his feet.

Two F-bombs in under a second. He was more than furious. She had no choice but to lift her chin, but she kept her eyes childishly shut tight, afraid if she looked at him, she'd be lost.

This is such bull, Brian. My own driver-slash-bodyguard is kidnapping us. And my bodyguard brother put us in the car. And my bodyguard boyfriend is off playing with his friends. Sheesh." She crossed her arms across her chest and kicked the front seat hard, right in the middle of Steve's back. "And when he stops this car, I'm kicking his ass

I'm fine, baby, just sit down and stop getting upset over nothing." "Pulling a knife on you is not 'nothing,' Jesse." "I pulled a gun on you. We're a violent couple." "That's not funny

quiere vivir algo que se parezca a una experiencia extraordinaria, una batalla, una historia de amor, una aventura límite, un crimen incluso. Cielo o infierno, qué importa, pero un gran drama que lo saque de esta vida sin porvenir y que justifique su existencia. Entonces sí podría dormir plácidamente sobre sus laureles, o sobre sus espinas, sabiendo que ha vivido.

TAMBURLAINE: Live still, my love, and so conserve my life, Or, dying, be the author of my death.

On receiving his M.A. from the University of Cambridge in 1587, Christopher Marlowe (1564-1593) had already written parts I and II of his play Tamburlane the Great. Bringing fame to its author, and a new style to tragic theater, Tamburlane was the beginning of a brilliant, unfortunately brief, career. Marlowe's plays were to prove original in their earnest portrayal of single personalities who were deeply flawed, often criminal, but still somehow heroic.

What ho, hostess! Where be these whores?