Quotes About Drama

And in our dark days, with so many threatening clouds on the horizon, he concluded, we puff up a story like this to drug people, to distract their attention from the serious problems and divert them with a Romeo-and-Juliet story, one scripted, however, by a soap opera writer.

William Shakespeare

Shakespeare also introduces the supernatural into some of his tragedies he introduces ghosts, and witches who have supernatural knowledge.

In approaching our subject it will be best, without attempting to shorten the path by referring to famous theories of the drama, to start directly from the facts, and to collect from them gradually an idea of Shakespearean Tragedy.

I was about 14 when I started with a theater group; it was like a stage group on the weekends alongside school. And it was run by a group of guys who'd been to drama school themselves in London. So they introduced us to techniques that they'd learn about, and they kind of informed us about improvisation and screenwriting and all of that stuff.

Very often my weekends are spent performing on Saturday, on stage in the afternoon and again in the evening.

Everybody says how hard comedy is, but, when it comes time to honor things, whether it's on a weekly critical basis or whether it's award time, at that time of the year, comedy is the poor, dumb child of dramatic work.

When you do a play, or even a movie, you have weeks to finesse your character. You really understand why they do what they do. In TV, you get new material weekly about your character.

Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.

On TV, you never know where it's going. They may even lie to you about where it's going. You never really know because the scripts come in every couple of weeks or so.

I drifted into acting. My grandfather had a house in Buffalo in which there was a stage, and his friends met every two weeks or so to put on plays. So it was natural for me to put on plays, too, when I went to boarding school. I put on everything in the drama - I was indiscriminate. I put on Yeats and Shaw and Lady Gregory.

I have often seen an actor laugh off the stage, but I don't remember ever having seen one weep.

I just finished an episode of a new show called 'Century City.' It's like 'Law & Order' set in the future, and I have a very dramatic role in that. I have to sob and weep and wail. It was very hard. When it was done, I was like, 'OK, time to watch 'SpongeBob!'

I think that with 'The Vampire Diaries,' you never know what's going to happen, and I don't think the characters necessarily know, either. So you can only weigh so much, and then it might just come down to 'kill or be killed.'

I was a commercial girl. In drama school, I was a mediocre model occasionally to pick up some extra cash, and because clearly I'm not six feet tall, and I had baby weight, I would mainly just would do promotional stuff.

Same job, whether it's comedy or drama. Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, and how is he playing with this thing, and what's he trying to say? And what's the volley with all these other people around him?

A lot of people give actors credit when they gain weight for a role in a drama when they win an Oscar, but when you're doing a sitcom, people don't give you a lot of credit, because you've got to keep your weight on for five or six years if it's successful.

We do a lot of scenes like say proposing a girl, but you know it is done technically - you don't feel anything. But sometimes I feel bad, maybe when my parents see me play this character and shouting at a girl, they might feel weird.

Those two years at drama school were nutty and weird. I didn't love it at all - I loved my class; I have so many great friends from that time - but I learned less. I just learned more of what I didn't like.

I've done a few costume dramas, and people say, 'What was it like wearing the costumes? Did they really help you with your character?,' and most of the time it doesn't make any difference. You're wearing something a bit weird, and it's sort of uncomfortable, but it doesn't really have a huge impact on the part that you're playing.

That's a rule in the business. No tongue. You can't really get into it, otherwise, it's weird. I think that particular scene made his (Adam Brody) girlfriend jealous. There were issues.

I really loved working on 'Laguna Beach,' and I'd do it all over again. I'm one of the luckiest kids in the world, but I thought it was going to be a documentary about kids in high school, and they exaggerated all this drama. When it came out, it was this weird thing. People feel that they know you.

'Beauty Queen' is the weirdest, strangest, and most perfect play to do before 'Hedda Gabler', because there are so many similar issues for Maureen and Hedda. I had played leading ladies before but couldn't really hook into them. After 'An American Daughter' and 'Beauty Queen', I had all the ballast.

One of the weirdest things about Christmas in this country is that people love to watch 'EastEnders' when everyone's in floods of tears and there's a huge row. I don't know if watching it makes them feel better about their own day. Personally, I would rather try to be a bit more positive!