Quotes About Show

When you have the top show your scripts have to be more than competitive. They should be the best.

On any serialized show, you're going to have through-lines that take you through the season, and you're going to have individual arcs that resolve themselves in shorter order.

When you start as an actor, you can only hope you'll be able to act at all - let alone on a show that lasts seven seasons.

Over a period of time, if you have a successful show, then you have a devoted audience. I feel you owe something to them. That goes for everybody - writers, camera operators, actors, studio executives, etc. Sadly, I've realized it's a responsibility that very few people live up to.

The majority of border collie owners and breeders don't want to have anything to do with the show ring.

It's called show business for a reason. The theater owners want to make money, and understandably so.

I like a certain style of show, I like a certain pace, I like a rhythm, I like a lot of comedy in with my drama.

We usually have a rookie show when camp is almost over. It's a chance to get to know the rookies and to have fun and set the pace for the season.

I'd had the theater background for so long that I know that world inside out; I just didn't know the pace of how a TV set works, like how a show shoots.

Alexis and I actually shot the very first scene of 'Gilmore Girls.' What I thought was fast was nowhere near what has become known as 'Gilmore pace.'

I thought it would be a fun change of pace to do a show about a really sad, depressed character.

The essence of the show is that SpongeBob is an innocent in a world of jaded characters. The rest is absurd packaging.

The great thing about making an ensemble show is it becomes modular. It might work on the page to cut from one scene to another, but on the screen, it's more powerful to take that second scene and move it first or move it later.

In writing on the page, you can be a bit elliptical, but on TV, you can't dance around stuff. You either show it, or you don't.

I was shocked. They were going to give me money to make this really odd show? Well, I still had little thought of it going to series, but I thought it was great that my next short film was going to be paid for.

In the case of 'Ice,' in the beginning when I got the script, felt like a show that was searching for what it is, and what they knew or what felt palpable to me was that this character, Freddy Green, was going to have the biggest journey.

Loki has been written as bi, he's also been written as pan, and it just felt like this is a show about his identity, so let's acknowledge it and make it canon.

American Inventor', a show I came up with launched in 2006. It's all of America's greatest and wackiest inventions rolled into one with a judging panel including the legendary George Foreman.

I'll go on panel shows looking like I've been dragged through a hedge backwards.

This whole thing has become a pantomime.

History shows how feeble are barriers of paper.

I made it a morning show. We have the coffee cup, we have the morning papers. It's got that feel to it, that's what I wanted.

I've done the best I can with the morning show. I made it a morning show. We have the coffee cup, you have the morning papers, you know, it's got that feel to it, that's what I wanted.

'The Larry Sanders Show,' it's actually about love, which would sound like a paradox at first. But if that love didn't exist, the darker attitudes would not play. You would have a one-dimensional, cynical show, which I don't think the show was.