Quotes About Movement

I'm not sure what came first, the hemline or the Charleston, but skirts needed to go up so the gals could kick their legs out.

I used to slap my hip to keep a beat.

I can think. I can sleep. I can move. I can ride my bike. I can dream.

People don't do the Macarena together. Or if they do, they do it to get closer, to get together. It's the same thing with the Electric Slide.

I like to slide on a court, but when I slide on grass I never stop.

The slide is tennis.

I remember that, although I was full of fervour, I didn't have the slightest inkling, even at forty, of the deeper side to the movement we were pursuing by instinct. It was in the air!

On a bike, being just slightly above pedestrian and car eye level, one gets a perfect view of the goings-on in one's own town.

I can slip a punch, not by three inches, but by a centimetre. Just have it brush past me. And raise an eyebrow at the same time.

I've teamed up with one of the headmasters at Eton College, and we're spearheading a kind of 'slow education movement in Britain'. It's based on this idea of moving away from the fast-food approach to learning and going to something deeper, more woolly, harder to measure.

The labourer's muscle is that of a cart-horse, his motions lumbering and slow.

If you skate too slow, it's not feeling comfortable at all.

Very often, you did something slow with your arm, for example, and something rapid with your feet - but the arm had to do something large against this - and this set up a kind of opposition.

If what you want is actual change, then what has to be built is a mass movement that is militant and can use direct action to slow or stop profit. A movement that can do that can demand whatever it wants.

When you're in control, when confidence is high, everything moves slower around you.

The best times are when the time on stage becomes much slower and the movement much bigger - in that case, everything seems to flow. This state does not happen very often, but when it does, it is a magic kind of pleasure.

A first difficulty of the Arab movement was to say who the Arabs were. Being a manufactured people, their name had been changing in sense slowly year by year. Once it meant an Arabian. There was a country called Arabia; but this was nothing to the point.

I do feel like plus-size fashion is changing, but it's slowly changing. It's not growing as fast as we would all like.

Even when we're keeping possession, I don't want to see the ball move slowly. What does that mean? When we pass it, we pass it with purpose.

If you're feeling sluggish, do a back bend.

I believe almost every men have some kind of fantasy for action scenes. I'm one of them, and I just can't be so sluggish.

Most dancers have a young body. This is part discipline and part desire, because just sitting around makes one feel sluggish.

I joined a small but growing post-Trotskyite Luxembourgist sect.

With things like 'Dragon Ball,' in the case of fight scenes, I'd take the panel layout across two pages when the book is opened and alter it by angling them, and making them bigger or smaller, to give movement to the panels themselves.