Quotes About Movement

The identity of Studio Ghibli movies are how the characters move. They move like live, real people.

What drew me to both study and activism was the formative experience of the civil rights movement.

When I was coming of age, I remembered reading and studying the initial ideas within the feminist movement. There was this idea with my parents' generation that in order to find equality, a woman would need to behave like a man.

I grew up studying dance, taking ballet lessons.

It's not always about reach, it's about footwork, it's being fast, in and out, stuff like that.

The movements we do are complex but natural, they're picking stuff up off the ground, running, jumping, climbing - stuff that we were made to do, that we were created to do.

Every step and every movement of the multitude, even in what are termed enlightened ages, are made with equal blindness to the future; and nations stumble upon establishments, which are indeed the result of human action, but not the execution of any human design.

I love getting to work with the stunt coordinator. It's like choreography, like a dance.

I was a gymnast for many years before I was a dancer, so it comes in pretty handy when we do stunts.

I need to be agile because I do all my own stunts.

I just happen to believe that people are not stupid. And the way I will come at it is to educate people, help people to actually understand that it is that progressive movement that is causing them the problems.

A country, a style or an epoch are interesting only for the idea behind them.

I'm a b-boy for life. I'm a dancer, I started with free style dancing and b-boying during the '80s and I always said to myself that when I get the chance to do my own thing, I will always have the b-boy element and the dance element because that's where I come from.

I am the consequence of a particular type of demographic movement, one that has always involved paying a high price. But I don't know much about styles or genres. I only know notes and chords.

Apart from being a trained dancer, I love exploring new styles of dancing.

Style has always been very important to us. We grew up in the '70s. Music was glam rock, punk rock and a very stylish movement.

To me Kate Spade represents a woman who still has stuff to get done. She's like, 'yeah I'm stylish but I need to be comfortable and able to move.' I'm excited to be a part of a brand that's meaningful to women in that way.

'Jersey Boys' was a lot of running around and a lot of energy, but it was more stylized movement.

When I started making music, I was so heavy into the hyphy movement. That's something you only know so much about if you were right there living in it, submerged in the culture.

I believe in creating ideas that consumers actually want to engage in, creating movements with our thinking and not bombarding them into submission.

If the only time you bang the drum is when it's time to get someone elected, and you don't get involved in a mass movement, then you're working against real and substantive change.

The ostensible subject of my photographs may be motion, but the subtext is time. A dancer's movements illustrate the passage of time, giving it a substance, materiality, and space. In my photographs, time is stopped, a split second becomes an eternity, and an ephemeral moment is solid as sculpture.

Tai Chi is not super masculine. It's not super pushing and strong, but it's has so much power in its movements. It's so smooth and it's so subtle.

In Hitchcock's eyes the movement was dramatic, not the acting. When he wanted the audience to be moved, he moved the camera. He was a subtle human being, and he was also the best director I have ever worked with.