Quotes About Craftsmanship

Our business is as good as any high-end designer. We do good because we make good things.

We're not trying to create a triple-A type of platform. We're focusing more on a platform where it looks and feels high-quality, but you can kind of look at it and figure out how someone made it.

At the highest level of your craft, you don't have to play games or make people feel small; you can just embrace.

A scrupulous writer, in every sentence that he writes, will ask himself at least four questions, thus: What am I trying to say? What words will express it? What image or idiom will make it clearer? Is this image fresh enough to have an effect? And he will probably ask himself two more: Could I put it more shortly? Have I said anything that is avoidably ugly?

Language ought to be the joint creation of poets and manual workers.

There's always a fascination in watching anybody do a job which he really understands. Watch a woman—a woman who really knows how to cook, I mean—rolling dough. She's got a peculiar, solemn, indrawn air, a satisfied kind of air, like a priestess celebrating a sacred rite.

Un escritor más escrupuloso se preguntará ante cada una de sus frases, al menos, cuatro cosas: ¿qué trato de decir?; ¿con qué palabras puedo expresarlo?; ¿qué imagen o frase hecha lo dirá más claro?, y, por último, ¿tiene esta imagen la frescura suficiente para causar en el lector el efecto deseado? Y

Le fossoyeur fit la cuisine et la fit fort bien. Il

I'd say there's a general thesis in here somewhere: any story that suffers from what seems like a moral failing (that seems sexist, racist, homophobic, transphobic, pedantic, appropriative, derivative of another writer's work, and so on) will be seen, with sufficient analytical snooping, to be suffering from a technical failing, and if that failing is addressed, it will (always) become a better story.

Forbes had fully invested herself in her sentences. She had made them her own, agreed to live or die by them, taken total responsibility for them. How had she done this? I didn't know. But I do now: she'd revised them.

We might think of a story as a candy factory. We understand that the essence of candymaking is…making that piece of candy right there.

The beauty of a finely worked object points to the beauty of the craftsmanship. The beauty of the craftsmanship points to the beauty of the name which was the source of the craftsmanship. The beauty of the name of the craftsman's art points to the beauty of the craftsman's attributes manifested in that art.

I've sat in sushi bars, really fine ones, and I know how hard this guy worked, how proud he is. I know you don't need sauce. I know he doesn't even want you to pour sauce. And I've seen customers come in and do that, and I've seen him, as stoic as he tries to remain, I've seen him die a little inside.

My grandfather on one side was trained as a cabinetmaker but eventually worked as a coachbuilder and then built cars. I inherited from him a love of cars, but with no technical ability whatsoever, sadly!

My grandfather was a shoemaker who worked in a shoe factory.

A skilled worker, regardless of the job description, remains a treasure.

The reason for a lot of bands not making it is because they don't really understand that your job is sort of divided into two different things. It's one thing creating it... It's like being an architect but also a construction worker.

As an actor we're just like workers in a factory, we provide our services to directors.

I see journalists as the manual workers, the laborers of the word. Journalism can only be literature when it is passionate.

As an actor we're just like workers in a factory, we provide our services to directors. But I must do my job perfectly, and I love what I do.

I come from a family with a long tradition in shoemaking, and I still live in a region famous for its shoemakers. It is getting harder and harder to find skilled workers. There are no professional training institutes, so we have to train our own employees. And an apprenticeship takes three years.

I like dirty boys. Mechanics, construction workers, artists who get paint and clay everywhere. They gotta have rough hands.

In a perfect world, I would be a painter. I love working with my hands. I don't get to do it as much as I like, but I am finding a way to make more time as life goes on because it's a really great outlet for me to express myself.

Ultimately, literature is nothing but carpentry. With both you are working with reality, a material just as hard as wood.