Quotes About Passages

The detail of my art depends entirely on the project itself. I tend to be a little more detail-oriented with covers than I am with interior pages, and I try to reduce the detail on action sequences as opposed to suspense passages.

It is interesting to me that very clear passages describing both God's conditional love and also God's unconditional love are found in the same Scriptures...The only real biblical promise is that unconditional love will have the last word!

Must I not serve a long apprenticehoodTo foreign passages, and in the end,Having my freedom, boast of nothing elseBut that I was a journeyman to grief?

We have birthdays and bar mitzvahs and funerals and weddings. And these ceremonies and rituals, I believe, really help us transition from one point to another.

In every human being there is a child who only wants to play, and the most attractive game is mystery. The mysterious content of the human soul wanders through the meandering corridors of a mythical labyrinth, with underground congregations with candles (or illuminated by candles), secret passages in the double walls of castles, and treasures hidden in the halls!

I read Christopher McDougall's book 'Born to Run.' If running were a religion, this would be its bible. I actually scribbled my favorite passages on my arm to read during the race.

Xander dusted his hands off on his pants. "Secret passage," he said, then attempted to dust off his pant legs with his hands. "This place is full of them.

My idea of teaching literature is just to read great passages aloud or to look at it the way a writer does, which is what I try to do. Which is to say, 'How does this writer do this? How did he order his scenes? Do you notice any pattern to his sentences?'

The tree of life should perhaps be called the coral of life, base of branches dead; so that passages cannot be seen-this again offers contradiction to constant succession of germs in progress.

We must, furthermore, realize that the harsh passages in the Bible are only contained in describing actions which were taken at particular moments and stand in sharp contrast with the compassion, justice and wisdom of the laws that were legislated for all times.

And there are some parts of the King James Bible, particularly in the dense and difficult passages of Paul's Epistles, that are now, and to some extent were then, virtually unintelligible. A famous example is 2 Corinthians 6:11–13: O yee Corinthians, our mouth is open vnto you, our heart is enlarged. Yee are not straitened in vs, but yee are straitened in your owne bowels. Nowe for a recompense in the same, (I speake as vnto my children) be ye also inlarged.

Robert Black: ...looking forward to it. Sounds like his writings have taught you a lot... Randall Carver: ...Yes. Dunsany's work teaches subtlety, concealing momentous events in otherwise quiet passages.

We all now tell stories by cutting from one dramatic scene to the next, whereas Victorian novelists felt free to write long passages of undramatic summary.

Thirdly, a collection of passages, both prose and verse, from books other than the Bible. There is not perhaps much, in what is called 'un-inspired' literature (a misnomer, I hold: if Shakespeare was not inspired, one may well doubt if any man ever was), that will bear the process of being pondered over, a hundred times: still there are such passages — enough, I think, to make a goodly store for the memory.

I learned that time manages the most painful partings for us. One has only to set the date, buy the ticket, and let the earth, sun, and moon make their passages through the sky, until inexorable time carries us with it to the moment of parting.

We walk through many doors in our lifetime. It is the accumulation of these seemingly minor passages that shape our lives. Most often, it is years after we pass over a threshold before we realize the significance of the moment. That was not the case with the books I read that summer.

These passes were used so frequently that it is incorrect to project the north-western mountains as barriers. They were corridors of communication.

INTERVIEWER: Do you do much rewriting? Wiper: I forget which of the great sonneteers said: "One line in the fourteen comes from the ceiling; the others have to be adjusted around it." Well, likewise there are passages in every novel whosefirst writing is pretty much the last. But it's the joint and cement, between those spontaneouspassages, that take a great deal of rewriting.

Great idea on the arrangement of my work. It will make a difference to me to disentangle certain passages, bring certain phrases in relief, help me to find my own bearings. The literalness is not to be attributed to the high and noble reasons I gave you (all that stuff on Rimbaud, metaphysical-artistic imperatives), just sheer laziness, between you and me.

The shock was akin to that of buying, out of duty, a novel written by a dull and uninspired acquaintance and finding there passages of heartrending beauty and rapture that one could never imagine coming from such a tedious person.

And having said that, I got up and stalked off to the school library, where I went looking for Little Women. It's one of my favorite books, and I thought that reading some familiar passages might be comforting.

He is always careful to take account of the unity and harmony of Scripture teaching. His expositions are not therefore afflicted with the vice of expounding particular passages without respect to the teaching of Scripture elsewhere and without respect to the system of truth set forth in the Word of God.

I am rather inclined, however, to agree with ancient writers, that in those passages[1]wherein it is stated that the angel of the Lord appeared to Abraham, Jacob, and Moses, Christ was that angel.

What is clear to me, always, is that the writing must never lose sight of truth as its ultimate goal. Page after page, the drive to capture what is true, and not what resembles the truth, shapes the work. If, even for a few passages, the tone becomes false—that is, too studied, too limpid, too regimented, too well-phrased—I am obliged to stop and to figure out where I started to go wrong. If I can't, I throw everything away.