Quotes About Audience

I actually think to some degree that people are down for longer shows with an acoustic show.

When you see a comedian on stage, the best comedians make it feel like a conversation. But it's not. We have very little interest in what an audience has to say during a performance. Being a stand-up comedian, you're an egomaniac to some degree. Everyone wants to hear what you have to say, apparently. That's not how real relationships work.

I would love to do a public concert in Delhi, though I am scared to do that. Delhiites get rowdy.

The applause is a celebration not only of the actors but also of the audience. It constitutes a shared moment of delight.

I had to stop taking myself and the craft that seriously. Somehow I saw the bigger context of life. It's just a movie. What I wanted was to entertain and delight and put the audience on a nice ride.

The pressure is always there to do my best. I feel happy that I have an audience that looks forward to my next project. I have to make sure that I deliver.

I just try to deliver the laughs every time I get the opportunity.

I know what the audience is looking for and have the ability to deliver that content.

What I always expect to deliver to my audience is a very entertaining evening of singing and playing.

It doesn't matter if it's social media or radio media or television media - it's all media, and it's all marketing. It's about understanding where your fans are. And when you have infiltrated them, and they're satisfied, and there's demand, how do you grow it from there?

TV's demands are different from those of films.

On 'Baskets,' I'm not sure what the demographic is.

There are a lot of things that come to bear on movies now that I don't think are good for movies. They're trying to appeal to the biggest demographic and, when they do that, you sometimes flatten out.

I see my fans as music lovers. I really love that. There's no age group or demographic. It's people of all ages and backgrounds. Country people and non-country people. I wanted to make music across the board.

My parents aren't the demographic for a lot of things I do. If I did a stand-up show, and I saw 62-year-old Pakistanis in the crowd, I'd be like, 'I'm gonna bomb.'

We knew we were making records for a certain demographic. We didn't look outside of that.

Every time I get in front of an audience, I do the best I can. I really don't look at it like, you know, 'This is gonna be this crowd, or that crowd.' If anything, I think about the demographics only because of what songs will entertain more than others.

I'm constantly obsessing about brand. I think of my books in terms of brand. I think of my blog articles in terms of branding. How does it fit my branding? I think in terms of demographics.

If you have a film that's talking about God, you would think that it would appeal to people that consider themselves religious, whatever denomination they're attached to.

We have to take risks in British television. It has to stop playing to the lowest common denominator and patronising people.

A lot of films seem to go to the lowest common denominator.

When I played in a band, people just stand there and look at you and criticize what they didn't like. But if you watch a D.J. show, people go crazy from beginning to end. Say what you want against D.J.'s, but you can't deny that the energy level in the audience is for the most part far above what rock bands have.

I'm not denying that it's exciting to have a play on Broadway.

In theater, you are there, you have a character, you have a play, you have a light, you have a set, you have an audience, and you're in control, and every night is different depending on you and the relationship with the other actors. It's as simple as that.