Quotes About Audience

I took a break so that I can entertain my audience properly.

An established property can be a blessing and a challenge. On one hand you have all those fans of the original that you can pick up with and continue on with but then you have a lot of people out there who haven't seen the first and might feel like this isn't a movie for them because of that.

I want to bring magic back to where it started, which is not about the props, and it's not about me as a magician: it's about the audience and playing with their minds and playing with their perception of magic and having fun with it.

Ideally, I'd like to write poetry for public performances and prose for a different, more contemplative kind of consumption.

I try not to think too much about an audience when I'm writing the first draft of a book - at that stage, the prospect of anyone reading what I've written would be enough to scare me into setting my laptop on fire.

People seem to need a likable protagonist more than ever.

I don't understand why people still behave as though making movies with female protagonists is risky, given that - hello - we do make up over 50 percent of the population, and we go to movies.

Over the years, I've been trying to build a relationship with an audience. I've tried to maintain as much of a low profile as I could so that those characters would emerge and their relationship with audiences would be protected.

The thing that I probably enjoy the most and also am the best at in whatever art form I'm working in is being the protector of the emotional experience of the audience.

A protest is supposed to be public. How can you do it if you don't do it in front of an audience?

As a comedian, I'm forced to have a tough skin. Until people laugh, they are detractors. You walk into a new audience where nobody knows you, they go: 'Make us laugh. Show us what you're made of. Prove why we should be listening to you.'

If we're going to be considered horror filmmakers, we have to prove it not only to ourselves but to the audience that we can actually make something scary.

In television, the audience has to be comfortable with you, and I've managed to prove that I can be in American homes to some degree, and not necessarily where everyone knows me, either.

Although you should never mention your premise in the dialogue of your play, the audience must know what the message is. And whatever it is, you must prove it.

At a festival like Coachella, you're not necessarily playing for your fans. You're playing to some, but there is also a lot of people that have maybe heard one of your songs, but aren't quite fans yet, so you feel like you have something to prove.

When you start out, it sometimes feels like you're fighting audiences every night just to prove that you're funny.

The Golden Girls certainly proved that there was a large audience for a show about older women.

Music has no language barriers and this has been proved right several times by the Chennai audience.

Employing a low-key, Midwestern charisma, Mike Pence proved he knows how to win over an audience.

'Vicky Donor' proved that the audience was waiting for well-scripted funny films.

On 'Scandal,' they've proven that they're not scared of shocking the audience.

It's very difficult to know exactly what a major audience is going to respond to. 'We know they respond to certain personalities. That has been proven by the success of certain people in television who have gone from show to show and carried an audience with them. Apart from that, it's very hard to say what formula works.

I am to provide the public with beneficial shocks.

But I am unadorned with phrase to speak to the multitude, but to speak to my equals and to a few, more expert: but this also has consistency in it; for those, who are of no account among the wise, are more fitted to speak before the rabble.