Quotes About Audience

I want to fight the fights that fans want to see.

The job at broadcast is to figure out what the dumbest person in the room is going to think. That's not the case at FX.

Shonda Rhimes has figured it out, of getting multiracial casts on television and appealing to everybody.

When you're with a big TV channel, there's a sense of having to behave in a certain way in order to get audience figures.

If you look at the figures, the average age of the tennis fan is 62 years old.

The Internet is about giving the consumer exactly what they want, whether there's an audience of one or 1,000 or 10,000, and then figuring out how to make money on it later.

I try to fill the stage with my confidence in music. Obviously, this is to offer the fans with the best music.

When I'm making a film, I'm the audience.

When a film is good, the lines between single-screen and multiplex blur.

Digitization has altered the nature of the film industry. Social media, especially, has become a decisive factor in determining a film's box office success.

I don't think a heroine-oriented film has the capacity to pull an audience like a hero-oriented film in any film industry.

I see my filming career as an opportunity to get the message of conservation out to an even greater audience.

When we're filming, I sometimes look into the camera and wonder who's out there, who will be watching.

When I am filming dramas, I lean towards doing what the public wants to see from me.

When you're filming any show off a live audience, you get a feedback straightaway about how it's going, and the audience always enjoyed it.

Sequels are not done for the audience or cinema or the filmmakers. It's for the distributor. The film becomes a brand.

I think filmmakers want their movies to be seen.

Me, as a moviegoer, before being a filmmaker, I try to think about what movie I would like to see.

As filmmakers, we're constantly always looking for something to bring the audience deeper into the reality of the story we're telling.

I love movies that are just straight-up exploitation, but the ones that endure and the ones that last are the ones where the filmmakers put in that extra level of thought; after 25 years you put them on in front of an audience, and they'll respond to it and enjoy it.

Most filmmakers aren't very interested in history. They worry constantly that people will be bored.

I try not to put pressure on filmmakers to come up with a big scare at the beginning. I think that helps let the audience settle in and get to know the people they're about to spend 90 minutes with. Once the scarier stuff happens, it's scarier because of that.

It's harder and harder to scare people, and filmmakers are aware of that, and they're making the movies better, and I think they feel more original, which I always like.

As a filmmaker, you just make the movie you want to make, and you sort of put your faith in the distributor to make sure the right people see it.