Quotes About Audience

It's all about the audience and the people who support your work and respond to it. So, anytime I hear that 'Next to Normal' is affecting people, it goes beyond my wildest dreams of what I set out to do when I started to write 'Next to Normal.'

Steve worked tirelessly to promote conservation, wildlife, and the environment, and his work enabled the plight of endangered species to reach a whole new audience.

William Shakespeare was a brilliant writer and he only wrote the truth. So, if I don't believe it, I have to work really hard to see what that truth is so that I do; that's the only way I can make it believable for the audience.

In theatres, you're kind of disconnected. Also, it's way too big for the likes of me. Unless you're Robin Williams or someone that can fill a stage with movement and energy, it just looks like a small man on a big stage.

'An Audience With Kenneth Williams.' My wife and I went with him to the recording. He was paid £10,000, the largest fee he had ever received and was so nervous he was shaking. But his performance was matchless. He knew it was the best thing he'd ever done.

I feel the horror audience is a great audience, and I would ideally make a movie that would give them as much energy as they're willing to give to the picture.

I always tell people there's only one trick to writing: You have to write something that people are willing to pay money to read. It doesn't have to be very good, necessarily, but somebody, somewhere, has got to be willing to pay money for it.

Television is so influential that when an audience sees you day-in and day-out there's a certain acceptance that sets in; you're no longer a threatening personality. They become more willing to accept whatever you present.

People are willing to pay for the right to cheer or boo Roman Reigns. That is your job as a box office attraction. Your job and the manner in which you feed your family is not dependent upon whether the audience respects you or disrespects you. It's dependent on the audience's willingness to pay to see you.

Everybody always talks about the pressure of playing at Wimbledon, how tough it is, but the people watching make it so much easier to play.

We hope to win over new listeners who would normally never listen to an Aly & AJ record. That's our greatest expectation we've set for ourselves.

I don't fight to win or lose. I fight to entertain people.

When I go to Japan, they don't care if you win or lose; they just want to see a good fight.

It's a win-win situation when you make your debut with a superstar like Salman Khan, Shah Rukh Khan, or Sunny Deol. The audience walks in to watch the actors they idolise; they also end up noticing beginners like me.

Any debut novel is usually a case of spitting into the wind - or, just maybe, casting your bread upon the waters. Without an established audience in place, first-time authors have to hope for resonant word of mouth and a receptive reviewer or three.

I tell my staff, we're riding a tour bus around, and we're going to stop and look at some weird stuff - but we're taking our viewers around safely. They're just looking out the window at it. I'm trying to create a sense of comfort for my center audience.

I am an outsider looking in, absolutely. You're not going to see me at the Academy Awards 'Vanity Fair' party any time soon. I'm not somebody who, no matter where I go, there are paparazzi or any of that nonsense. But I have a little window into that world, and I can enter it and dance around. I want to be the audience's ticket into the party.

I'm not somebody who no matter where I go there are paparazzi or any of that nonsense. But I have a little window into that world and I can enter it and dance around. I want to be the audience's ticket into the party.

I feel like my job as a storyteller and director is to create an experience where the audience forgets they're in a cinema and can get lost in the story. Things popping out of the screen call attention to the artifice of what you're doing, so I use 3D as more of a window into a world behind the screen.

Shatner will spin lines in ways you don't see coming - he winds the audience down like a spring and hits the line so hard, they erupt. It's amazing to watch actually.

I know if I stopped hosting 'Wine Library TV,' we'd probably lose 75 percent of our audience, but the remaining 25 percent is still a big number.

When the book is over, I think of innovative marketing ways to reach to a larger audience. I think wine and cheese book launch parties are a waste.

'West Wing' was huge. Like 'Hamilton,' it pulls back the curtain on how decision-making happens at the highest level, or at least how you hope it would be. The amount of information Aaron Sorkin packs into a scene gave me this courage to trust the audience to keep up.

It's important to remember that, first and foremost, if not only, this is entertainment. 'The West Wing' isn't meant to be good for you.