Quotes About Audience

Being a host is about being able to communicate and build up a rapport with the audience.

You have to get the attention of the audience. You have to make sure they know you are starting. You have to achieve a rapport with them on the very first chord.

I was fascinated by all of it. The sounds of the theater and the audience, their rapture when a play took over and moved them and held them quietly... When the audience was truly moved, it was absolutely quiet. They were in a communion because they were learning the truth about themselves.

It's awesome to see something like 'Inception', which is just mind-blowing and amazing, and it actually resonates with the audiences. I feel like that's rare.

Finding yourself on a show that's appreciated by its intended audience is a very rare and lucky thing, so when you win the lottery like that, you don't want to rush its conclusion; you want to keep it going as long as you can.

There are people who want to hear what they consider your hits. There are people who want you to experiment and explore random, rare things. And it's kind of a different; they're two different beasts.

It's rare that you cut out something that is really good. You screen all of it, and when the audience doesn't respond, you cut out whatever is holding the story down.

My audience is made up of such bizarre, rare people. They're very sparse and scattered; it's not like a huge body of people.

It's very rare that you get very old jazz lovers and super-young hip-hop lovers at the same exact show, when you think about it. Not many artists can do that.

There is no such thing as a Mass Mind. The Mass Audience is made up of individuals, and good advertising is written always from one person to another. When it is aimed at millions it rarely moves anyone.

Most of the time, you do films and they can be big films, but you are rarely aware of the fan base that comes with it.

The jokes I used to do on 'Sex and the City' were always comic character things, and they were rarely hard jokes. As soon as you go up in front of people, it demands laughter.

When you work in television, it's an isolating experience. You rarely ever get to watch it with an audience.

I rarely meet a lot of the people who buy and collect my work.

Sometimes in theater, they'll talk about your character a lot before you enter, but that rarely happens in television.

We're not getting judged or rated by just our fighting ability. People want to watch guys who are flamboyant and have something to say, and that's just the nature of the fight game and the game we're in. I get it.

I like to be loved or hated - I don't like mediocre. So I'd rather have the entire crowd hate me than to have 90% hate me.

You need an R rating because without one, you can't advertise and the film won't get shown.

I don't want my album coming out with a 'G' rating. Nobody would buy it.

What I didn't want to do is get into a ratings race with television because really, for them, it matters. For me, it doesn't.

I'm pretty sure the last time any anchor could honestly ignore ratings was well before I was born.

It seems the farther away we are from Hollywood, the better the ratings.

There used to be three networks, and now there are 40 million networks. There's a lot more competition out there, too. We would bring in 27 million people. Now, they're lucky if they have 17. I looked at the ratings, for the first time in 25 years, just to see, and there were 130 shows on. There used to be maybe 30.

We got great ratings and fan interest, and that's what management wanted.