Quotes About Audience

I hadn't performed by myself in a while. It feels very natural to me, and I assume people come for the very same reasons as they do when I'm with the band: to be moved, for something to happen to them.

I was once in Delhi and one guy looked at me and shouted, 'kutiya, kutiya, kutiya' - it is a dialogue from my film 'Kasoor.' The guy couldn't recall anything else apart from this. It was funny but interesting - it shows the kind of impact my character has made on the audience.

What's better than being able to entertain people? When you receive love from the public, it doesn't matter what the film circuit or critics say.

The comedian can put the punchline out there, but it's the audience that receives it - and has to get it.

If I'm not nervous, I'm nervous. You never know how people are going to receive the work.

I don't have a problem with how people receive the music. I feel like it's for everybody.

The best advice I received when I started out was to think about the camera or microphone as if it was a person to connect with.

The amount of love I've received from the audience and industry motivates me to work even harder and want to better myself every day.

I don't know how the editors are going to take it or how it may be received. But to some extent I'm hoping that with the next book, when people pick it up and read it, it will scare the pants off of them.

No matter how many times people say it - 'Oh, I'm just writing this for myself' 'Oh, I'm just doing this for myself' - nobody's doing it for themselves! You're doing it for an audience. So whether I'm performing or writing a book or playing music, it's definitely to be put out there and to be received in some way, definitely.

Once 'Walk Two Moons' received the Newbery Medal, I decided to write full-time. Partly because there seemed to be an audience out there who wanted to read what I wanted to write, and partly because I could now support myself financially through writing.

After over 50 years of headlining, I've been received very beautifully. But I always say, when you're onstage, you can't please everybody. I'm sure there are people who may not take to what I do, but that's OK.

When you are making a film, you do not know how it is going to be received by the audience. In fact, if you set out to make a film thinking that it will make 100 crores, it never ends up making that much money.

Generally, musicians find that as they get older, their popularity starts to wane. Pre-Covid, however, I was going through a good phase and finding my live shows were really well received.

There's something about being onstage, singing my lyrics to somebody and them either listening and receiving them, or singing them back to me, that I just can't get enough of.

I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem.

I realized that acting is not all about receiving people's applause or cheer. It is about delivering the right character to the audience and feeling satisfied in who you become on stage. Therefore, I try to focus more on the abstract qualities of acting, and I hope to become a better actress throughout time.

My job has changed so much over recent years because of social media. You can now watch a programme and see how the audience respond to certain moments and it was overwhelming to see how people responded to 'Big Blue Live'.

For me, it's important to ask what are you making, and what's the public's relationship to that. And I say public relationship because I don't really care so much about any sort of reception.

My films are as much for the people as they are for me. The reception affects me, but doesn't change me as a person. That's important.

But honestly, much of the work that I have done has had some impact on me. It's something that I have realised only later. I also find it amusing that the memories of actors are so consciously constructed around what happened to that piece of work, in terms of audience reception or box-office results.

I played a lot of pubs, and some were a bit rougher than others, but once you got on, it was the same reception everywhere.

The audience will always be receptive to good music if they are provided that.

I find that here in the States, audiences are generally less knowledgeable, from the cognitive point of view, though they are emotionally more receptive.