Quotes About Audience

I don't want to hear that Harry Belafonte is out there. It forces me not to see the audience as an anonymous mass.

I don't mind having 16-year-old fans, but I hate just having 16-year-old fans. I want more diversity.

If a character is supposed to be hated, my goal is to make her the most hated person on the show.

The best compliment for a director is that an audience hates their films.

I used to first go on to entertain an audience. But now I go, and this is really true - I go on to have fun with a crowd of my chums.

I enjoy the crowds. It's not that hard to talk to them, to have fun with them.

At the end of the day, it is just a movie, and we should remember that we're doing it for the audience, and we should have fun doing it. If we have fun doing it, it will come across on the screen.

I just want to go out there and have fun and entertain the crowd!

I have issues with food and weight and I can make that funny. The audience loves it. I have fun with it.

It's honestly all about the audience and if they're having a good time.

I think if you are having fun the audience will have fun too.

I get a little teary on stage sometimes. It can be really emotional when it dawns on you that people are singing along and having fun.

You really have to be a good entertainer, or the show won't work. For me, it was all about having fun with the audience, which meant that I could usually forget that the camera was there. It was kind of like being in the classroom.

As long as the actor is able to maintain an emotional relatability with the audience, he or she will be loved by them.

It is a big responsibility to headline on pay-per-view.

Independent filmmakers already have their heads around people on their couches watching their movies.

Studio heads seem to be getting the message that there is not only an audience out there, but there is a desire for people to see people of colour in central roles and in authoritative roles.

I have a brilliant sound design team who's been working with me since 'Mr. Robot,' and one of the things we always think about - and it's also something we think about with cinematography - is how we get inside the characters' heads and how do we place the audience where we want them to be or how we want them to feel at any given moment.

At one point, I didn't care. Now I want as many people to hear my music as possible.

When I hear people clapping at the wrong times, I think that's great. We have got a listener that's not used to going to - we have got a new listener.

As far as I'm concerned, the whole point of making music is to get it heard by as many people as possible.

When you play, it's like you know that there are people out there who are hearing it for the first time, and I think that's really important.

I knew the exuberance of playing before an admiring audience and hearing my secret voice.

For me, my first hearing of the script matters. It has to excite me as an actor and as an audience.