Quotes About Audience

I don't know what else I would do. I love entertaining people, I love communicating, I love an audience. I'm a real artist, right from the bottom of my toes to the top of my head.

Everybody has their iPhone cameras, BlackBerry cameras, and I see those cameras pointed up at me all the time now, which is actually really good because of what it does for me and my band. There is no time for us not to be on our toes because they're on all the time whenever you're playing. I think it's very healthy.

To sing a duet together means sharing with someone both the pleasure and the responsibility of making music for an audience which is there to feel enjoyment through music.

I don't want to be an art-house movie guy, where people who go to film school can discuss your work, but people who haven't studied cinema can't appreciate it. By the same token, I don't want to be the guy who's making this commercial pap that people lap up but that disappears the minute you leave the theater.

I've always felt like there's a certain amount of doing what I do, and performing and making records and doing interviews and photo shoots and that, that are kind of a necessary evil of getting my music to people's ears to hear. Over the years, I've just become more tolerant of that.

When I first started doing my comedy act, I just desperately needed material. So I took literally everything I knew how to do on stage with me, which was juggling, magic and banjo and my little comedy routines. I always felt the audience sorta tolerated the serious musical parts while I was doing my comedy.

Being able to write jokes is great, but you still have to get used to performing them and being on stage - and enjoying being on stage, not just like tolerating it.

When Peter Jackson made the 'Lord of the Rings' movies, I remember there was a concern that people who didn't read Tolkien wouldn't go see the first one. But the films were so good in their own right that the audience grew beyond the readership of the book.

'Tom and Jerry' seemed to be as well liked by adults as by children. 'The Flintstones,' of course, was geared more to adults, but I guess we were just lucky that the kids seemed to enjoy 'The Flintstones,' too.

I love Cillian Murphy's character in 'Peaky Blinders' and Tom Hardy's in 'Taboo' - theses are characters that, as audience members, we follow along with and root for. But our own morality is tested throughout that journey, because these characters ride a thin line between morality and amorality.

I think it's because it's so different and it takes risks. Plus, it's really smart humor. It gives the audience credit in terms of not needing to tell them when to laugh. I love that about the show. There's no laugh track.

They were both deciding not to be what others wanted them to be but to brand themselves for the world to see. To do their own packaging, so to speak, and to direct their powers to their specific target audiences.

I just saw the movie for the first time in its entirely last night. It's really cool when you're in with an audience that's so tuned in and plugged in to what's going on.

My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.

To pander to those who have no stomach for straight language, and insist upon bland, non controversial sauces, is a waste of time. They cannot on deliberately will not understand what we are discussing here.

have to embody what I want the audience to be. If I want them to have fun, I have to have fun.

It's the mistakes you make before you even say a word that matter more. These include the mistakes of not having an interesting opinion, of not thinking clearly about your points, and of not planning ways to make those points relevant to your audience. Those are the ones that make the difference. If you can figure out how to get those right, not much else will matter.

Most people listening to presentations around the world right now are hoping their speakers will end soon. That's all they want.

In sum, The Green Berets was a reasonable commercial success, but a critical disaster that convinced most of the moviegoing audience under the age of thirty never to see a John Wayne movie.

My job was to make sure that my pain was not visible to the audience. They came to escape their troubles, not to be drawn into my own pain.

La única persona capaz de acabar sin riesgo los juegos de Locke Lamora… —… es Locke… —… porque creemos que los dioses le libraron de una muerte terrible. Algo que tenía que ver con cuchillos y hierros al rojo… —… y cincuenta mil espectadores que aplaudían.

Good evening, good evening, good evening!' yelled Epitalus. 'Good evening!' And then, as though anyone in the audience might conceivably remain unenlightened as to the quality or time of day: 'Good evening!' The string quintet ceased its humming and twanging

If you can avoid the grammatical bog of trying to wow English professors with your sentences, then you're well on your way to getting the reader to turn one page and then the next.

Striving to convey to this beloved audience of one what was going on around me during those five years, I learned the power of language to map a life, to overcome a distance, to focus attention on what matters most.