Quotes About Audience

The best horror walks a line that's completely on a psychological level, not needing the typical tropes of traditional horror filmmaking, then also having to tease out those elements in a way that makes the audience feel like they know what they're in.

People don't know what it's like standing up there onstage, when you have a wall of people smiling at you.

Sometimes when I perform, and it's obvious the audience is just there to party, or if I feel a wall between me and the audience, I get existential about it.

If you really don't care what an audience thinks, make a home movie and show it on your wall.

The best part of social media is that you can reach a lot of people. But that's also the worst part of social media.

Television is a huge medium and the best way to popularize yourself.

I've written the best work I know how. And I'm appreciative of the people who read it and care about the work - and that's pretty much the end of that.

I know I'm writing better now than I ever did for adults because I'm writing for an audience who know that they don't know everything.

But it's the love of audience that encourages you to try out better things each time and I feel elated that I have the opportunity to work across so many languages.

I think the one group I am trying to appeal to is the world. That would be big enough.

Big movie or small movie, you make this thing, and then you show it to people, and you just hope they like it. You hope it works.

A big part of my love and passion for making music is playing it live.

When I go to a live show, to me that's work... all those people in that crowd paid money to see us, so that's a big responsibility.

I don't see a difference between the big screen and the small one. We are entertainers, and the medium doesn't matter.

We want to make movies for the big screen. We want people to go to the theater and feel like they're watching a movie.

If a hip-hop artist can get on stage and entertain an arena full of 30,000 people and keep their attention for 45 minutes, imagine that on a big screen.

The stage for our whole show is actually really interesting and a lot of fun. There's always something going on so we figure even the people who come up and don't know Big Time Rush love the show because there's always something going on, so that's what we love about it.

The bigger the audience, the better with comedy.

The biggest problem for people who get really, really nervous when they perform live is that you think everybody's looking at you.

When I come out and sing the first few bars of Bill Bailey, it's very exciting.

Whether you do a play in front of 100 people or a movie that one billion people see, you're still affecting people.

A film is sort of binary - it either works or it doesn't work. It has nothing to do with how good a job you do. If you bring it up to an adequate level where the audience goes with the movie, then it works, that is all.

It's not like, I don't know, if Madonna has a new record out, then everybody from Bangkok to Birmingham knows what its called and can buy it the same week. But our stuff is not in that mass market.

I couldn't fight, and I wasn't particularly interested in the academic. So I started doing satiric bits in the school bathroom. Guys would cut class to come and see me.