Quotes About Audience

I didn't realize how many people watched 'The Tonight Show.'

I've performed on 'The Tonight Show' with both Johnny Carson and Jay Leno, but not at the same time.

I don't think action alone is enough to sustain a film franchise. There are tons of action movies out there that come and go and people don't care about.

D.C. is one my largest audiences. They buy tons of records of mine in Washington, D.C.

My audience is a huge part of my success, so I see us as a team. They send me tons of song requests every day. Some of the songs I've never heard before, but I listen to them and then pick the ones that I love.

A huge potential audience, great interaction with your readers, the ability to see what people like and what they don't, the ability to see how people respond to what you're doing in real-time - there's just tons of great stuff that you get by being online.

When I made 'Hard Boiled,' I had no idea that it would be released to an international audience. I just wanted to make a film to team up my two favorite actors, Tony Leung and Chow Yun-Fat.

I'm listening to the audience. Too many people in Hollywood make what they want to see and not what we want to see. I'm about us. Not about me.

I've always tried to stay away from doing remixes to songs that were popular, because too many people do that. But that's something the fans want to hear, me over those type of beats. So I do it for them.

There's still too much filler, copycat programming that's out there. We work so hard to pioneer new ideas, and then those ideas are just regurgitated by other networks. That's not good for anybody, I think. That's not good for our business. That's not good for our audience.

I try not to punish the audience by making them listen to too much acoustic guitar.

As an actor, I was not accepted for the longest time. But it did not deter me, as the audience had accepted me. I never compared myself with any other actors. I never had any game plan and took whatever came my way.

I took an acting class. After the first day, the teacher quit, so they said take another. When I saw 'How to be a Stand-up Comedian,' it resonated. I realized I'd rather make 200 people laugh than make one person cry.

TV is such a great medium in what it can do in terms of enlightening an audience. We can really inspire and teach people about other people. That's a powerful tool, and that's something that the arts has always been capable of doing.

The Internet is the greatest tool for any artist to have interaction with any audience.

I think improvisation is a technique and a tool. I think that even the best of them fail most of the time, and in the end, the audience is not interested in how you got there but in what you're saying. The more clearly and concisely and artistically you say it, the more effective it is.

With a theatre audience there's always the additional sense of a sustained challenge of which I'm acutely aware and for which you need to have the tools ready - your voice, physicality, brain.

I've learned over the years that you're going to be most successful at the things you're most excited to do. Every artist has a special set of tools. When you really use those tools, and you make yourself feel really good about the product you create, I think you'll find an audience for it. I've been very fortunate in that respect.

We have new tools that can give the audience a sense of not only being there, which is the key element in an IMAX film, but also seeing things in a way that they won't see on television or in feature films.

One of the greatest tools you have as a songwriter is anonymity. If someone knows too much about the songwriter, they don't get to insert their own characters. I don't want the audience thinking about the gay guy who wrote the song.

On the craft level, writing for children is not so different from writing for adults. You still have to have a story that moves forward. You still have to have the tools of the trade down. The difference arises in the knowledge of who you're writing for. This isn't necessary true of writing for adults.

One of our big tools is screening. We screen usually 12 times, which is much more than most filmmakers do, and we recut in between each one, because we really need to feel how the audience is reacting to the movie.

A lot of times I'll be playing roles for which I'm too long in the tooth, but people who go see musicals don't seem to worry too much about that.

Most entertainment is trying to get you. It's tested, like toothpaste.