Quotes About Audience

Clearly the success of the Netflix model, releasing the entire season of 'House of Cards' at once, proved one thing: The audience wants the control. They want the freedom. If they want to binge as they've been doing on 'House of Cards' and lots of other shows, we should let them binge.

If you don't have a basic spend on marketing, there is no point releasing the film in theatres.

Today, filmmaking isn't just about shooting and releasing. You've to structure the marketing of a film.

English movies releasing in India should be confined to a certain number.

The talent we have in our country is boundless, and we are going to do our best to keep releasing new music for our audience.

Bernie Mac is relentless. That's one thing I like about him. He's not PC. He doesn't care what you think. He's going out there to please that audience.

I think it sort of dawns on you that if you're not gigging constantly you're not actually relevant. You may be relevant to a different part of the media now, to television commissioners and editors, but to a young live-comedy audience you're not, really.

Star power will always remain relevant but content has become the king.

The overall effect of the Kid Vid rules has been to force networks to prioritize less popular content. Some of this programming attracts reliable viewership among older children, but younger children largely aren't watching.

It's very difficult to set a film in one setting without giving the audience some intensity and some relief.

The bulk of my set is instrumental and you have to give yourself and the audience some relief because a performance is not about great guitar playing it's really about entertainment.

There are endless anxieties in putting a film together, and it's an enormous relief when you know it's working with an audience.

There's always that relief you feel when you're working on your own series that you can actually make it to your planned ending and that your audience will still be there to support you - and that your publisher will still exist.

When I go onstage, I want to relieve your mind, your pressures.

Anybody who comes to the cinema is bringing they're whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.

I think the people that most often cross a line are comedians. I think they relish that, and take pride in that on some level - at least, from what little I've seen and understand about people that do stand-up.

I believe in divine inspiration and things like that and I really relish a good, attentive, participating audience.

I don't personally do movies for myself and a faction of very cerebral cinephiles - I do it for everybody and wish for the largest amount of people to relish whatever they find they can relish in.

Playing live is much more natural for me. The instant reaction and the feedback from the audience is great for me. I really relish it. And if you play blues-based music, it's not really academic music or recital music. It really needs a bit of atmosphere and a bit of interplay and a bit of roughness, and you really get that with an audience.

You ask for your audience's investment in your music; you're in a relationship with them. And their relationship with the E Street Band is separate from whatever else I might do. I like the idea of us being something that people rely on.

And that if you become a star, people are going to go to see you. If you remain an actor, they're going to go and see the story you're in.

One of the advantages of playing in a club is that even with bass and drums, the atmosphere remains intimate with the audience.

I am a comedian. You may or may not find me funny, but the fact remains, that I am a comedian.

I always knew I was quite good at getting laughs. At school, I loved having a ready audience if I made a cheeky remark.