Quotes About Audience

As a singer, you want to connect with as many people as possible; that's my whole thing.

Nothing is more annoying than a great singer getting drowned out by a loud guitar.

I really don't think of myself as a singer. I think of myself as an entertainer, and the best place I do it is onstage.

A singer doesn't sing at home: he or she wants his songs to reach out the audience. Audience always gives you your due.

You can't do opera when already from the 10th row you can only see little dolls on the stage. In such an enormous space you can't put much faith in the personal presence of the individual singer, which is reflected in facial expressions, among other things.

Frank's audience doesn't care if a girl singer, a comic or an organ grinder with a monkey opens the show. They are there to see HIM.

I think that live shows are more important for singers than composers, because composers still get a lot of recognition as compared to a singer.

90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness.

The most enjoyable part of my career is singing live.

I like to see people's eyes when I'm singing to them.

When I sing, I pick out people in the audience and pinpoint on them. So if you feel that I am singing just for you, you may be right!

I don't like my voice, and I don't enjoy my singing voice; I do what I do to bring pleasure and diversion to the fans.

Some movies bring out the creativity in you. Every single audience member can become creative in the face of a particular movie. If you happen to like my films, it's because my films provide a bed for you on which you can find your creativity. The Hollywood movies do not provide that for you.

It's important for people to realize that music is gender-less. We are proving that every single day. On this tour, there are more women than men in the audience, and it's beautiful to see these girls own these hard-rock moments.

Every single night I'm nervous. You never know how the audience is going to react.

I don't believe really good plays - interesting plays, complicated plays - can mean just one thing to every single person in the audience.

There's no expectations at all. Every single person that turns up to a show, you really appreciate them. Every single radio interview you do - everything.

Obviously, the hit singles get the biggest reaction - that's when you can see people really getting excited.

I may just keep releasing singles 'til I run out of music, which is kind of cool in a way - as long as people don't go, 'Oh my God, not another one!'

I want to build a fanbase. I want people to like my albums even more so than singles.

If you oversaturate the market with singles, then people will get sick of you.

Singles are for people that want to chart - I'm measuring my success by how well I connect with people.

I question what emotion Manilow touches. People are entertained by him. But are they emotionally moved? I don't believe anything that Barry Manilow sings.

It's great when you play to an audience that knows the words to all your songs, and sings them back to you.