Quotes About Audience

Casting someone capable of the job who also happens to put bums on seats has always been invaluable to a producer.

The laugh track was invented to cue the audience to the jokes and encourage laughter in response. But it has another effect: if you hear people laughing and you're not, you start to question if maybe there's something wrong with you for not getting it.

The biggest moment in our business is when you walk through that curtain, and if you don't believe in yourself, the fans won't believe in you or invest in you, and they see that.

You have to get the audience invested even if you're doing something that they think is dumb, it's kind of what these movies are all about.

You need the audience to become invested in the characters and in order to become invested, they need to identify with the characters... and that's why the characters need to be real.

People love storylines. They love them because at some point, the talent will get people emotionally invested.

I'm not writing necessarily for an audience. I think about the audience at the end, once I have a complete book. But, when I'm writing it, I really need to feel like I'm learning, and I'm investigating something that I'm personally interested in.

'Article 15' is an investigative drama where the audience too is an accused party.

I think with most things online, if you treat your audience like friends instead of like Impressions and Clickthrough Percentages and Returns On Investment, then you're off to a great start.

I think 'Invisible' is a great song, but I don't know how accessible it is.

I had felt for some time that audience involvement with a film should begin with its first frame.

I have fear of the audience and I am responsible for the scenes involving me, be it as a comedian or hero.

Theater is an engagement between the actor and the audience. Film is a different sort of medium. It's not immediate, but in some ways it's more involving.

You may have an older audience in front of you holding the Bible and a younger audience holding an iPhone. You don't want to lose either audience.

Obviously, Iron Maiden is on a way bigger scale to British Lion, but as a musician playing live, it's just the adrenaline rush of playing in front of an audience that gives you that rush.

Your lineage and surname become irrelevant after your first film. Audiences do not care.

If a film is entertaining, it will work irrespective of anything. It should be entertaining and engaging; otherwise, it becomes a documentary.

When the response to comedy becomes cheering instead of laughing, that is so irritating. It's the worst.

When I make an American movie it's going to come out all over the world-it doesn't happen the same way for an Italian film or a French film.

I know a lot of people want to see me fight in Italy.

Everybody says they want good films and when one turns up, they go watch item songs.

In the case of 'Jack Ryan,' it was a huge collaboration, and I enjoyed it very much, and most of all, I want the audience to enjoy it, too. I want them to feel immersed in this world.

I don't think I can get Jack Nicholson to come out and watch me fight.

I'd much rather see Richard Pryor or Jackie Mason in a theater than in a club.