Quotes About Audience

Our strong suit is what we do, and our audience.

I might not be the most whatever in the world but I've built credibility with the audience that means something. So, I can sort of have that thing about me and I always wear a nice suit as well, which is important.

One of the head guys at Disney categorically said to me, 'We don't want to make children's films any more. We want to make films that are going to appeal to all quadrants.' Hence you have films like 'Shrek' and all the Pixar stuff, which is designed to suit everybody.

I've never written specifically for children as such. I write to please myself, and if it is suitable, it gets printed as a children's book.

It's that I wasn't suited to do the kind of comedy that these people were coming to hear - mainstream comedy.

I'm used to people being a mile away. That suits me. It's more nerve-wracking playing in front of people who are two feet away from me.

'Suits' fans. I've never met a more diverse audience: across gender, race, class. It's incredible. People who are high-powered lawyers to doormen. A Chinese immigrant cable installer - who barely spoke English - loves 'Suits!'

In the old days, you had an audience of about 400, half of whom were committee members from somewhere or other sitting in their suits. It's become a real sports event with sports fans now.

As a dramatist, you have 200 choices at every fork in the road. But the audience will reject it if you make the wrong choice, if they feel you are trying to shape the character in a way that suits you. It rings false immediately. People can sense when you're being cynical or schematic.

A crowd is always impressed by the sum of its own number.

Non-resident Indians love me and cough up huge sums of money to watch me fight in the ring.

They do think it is a big summer movie and that's why they want to give it a great chance, but they don't want to go up against Spider-Man 2 or some of the other big movies, the $100 million films that are coming up.

Analyses of the movie marketplace points to an interesting phenomenon: High-profile movies are continuing to do well year-to-year in the U.S. and overseas - this past summer, for example, the top 10 movies registered at the same level as in '04.

When you're singing before 15,000 people at a summer concert outside, you need to look beautiful, because that's what people want.

I open with a clock striking, to beget an awful attention in the audience - it also marks the time, which is four o clock in the morning, and saves a description of the rising sun, and a great deal about gilding the eastern hemisphere.

The first important role was a Broadway lead I did called 'The Royal Hunt Of The Sun' by Peter Shaffer, the guy who did 'Equus' and 'Amadeus.' Many of the important roles that I got later on were because the guy who was going to hire me was in that audience and had his mind blown. I tend to do that. I blow people's minds with my performances.

Even if you're playing the most well-known repertoire under the sun, I still believe you have a responsibility as an artist to tell the audience why you're playing it, what are the key aspects to it, and then throw in a bit about its historical context.

Typically, a book is published and gets one season in the sun. Eventually, you write another book, and maybe your old books get a bump, but my books seem to keep being discovered and recommended to new people of all ages.

They look so expectant, and then they look so depressed... that was the other great lesson that The Royal Hunt of the Sun taught me, it was the profundity that masked drama can achieve, that of course, the audience were not seeing masks moving at all.

I've also shot plenty of films with very small audiences - 'The Sun Also Rises.' I love that film, but I didn't capture the imagination of the audience. I don't know why.

I can't wake up every day and not thank Sundance. They're a great beacon of light for any independent film. Just to have a film that you made shown on a screen for an audience in a theater is beyond me, so I owe them everything in the world.

Preaching on Sunday mornings is such a simple thing, and by complicating it, I think we all do ourselves and the audience a disservice. It is very simple. Here is the model: Make people feel like they need an answer to a question.

If I'm doing a show on Sunday at 7 P.M., that wouldn't be the same show that I'd do at 11 P.M. on a Saturday - it's a different room at a different time of day with different sensibilities. That doesn't mean you have to compromise your art, but it is communication: you have to know how to talk to people.

The Business' has been an editorial success, with a core audience that loves it. But commercially it has never been a success as a newspaper. It just gets crowded out on a Sunday.