Quotes About Audience

When you are a journalist, you have a big responsibility towards your audience and it is important to respect that responsibility.

And the goal really is to make the audience laugh, to bring them some joy.

Most people have just heard Joy Division on record. And Joy Division on record was completely different than it was live.

When I play a gig and look out at the audience, you're literally looking at a sea of Joy Division T-shirts.

There was so much emotional response to 'Dogfight.' You just heard the audience: They were so horrified. They were sobbing. They were joyful at times.

Audience laughter, when it's deserved, acts as a sort of fairy dust that makes funny moments not just funny, but joyous.

If someone's a flake, I help them dig their own hole. I let the audience be the judge. And believe me, they are.

I have quite a handful of projects here in Tollygunje film industry. There are films like 'Aschorjo Prodip,' where I essay a modern day salesman, and others like Aparna Sen's 'Gaynar Baksho.' Let the audience judge me for these roles.

I don't really change much; there's not much I can do about the judging in front of a home crowd.

I think if you find that you're making a judgment on the character, than your audience will make a judgment on the character.

I don't have a problem if someone else were to say that one of my characters is a good one and another one is not and is a bad one. I try myself not to have any judgment towards my characters, but certainly the audience might.

Audiences can be very judgmental.

Sometimes before I go on stage, I think about how people can be so judgmental and forget they're the ones who bought your album; they're the ones that are singing along.

It was tough to not be judgmental of a person like Harshad Mehta. But that's where the training of an actor comes into play. My job is to create that character and present him to the audience. If even one per cent of judgment creeps in, then the whole performance will be affected.

Something happens when you feel that energy and excitement from the audience. And you do, I don't know, four pirouettes. You jump higher than you ever have. And it's just this really magical thing that happens in those moments.

So I usually call the songs when I get on the stage, according to what the crowd feels like to me. I can jump from 50 years ago to right up to now, and people will be familiar with the songs. And since we never do them the same way, it's a new experience.

Yeah, it's also a huge jump for NXT to come off the WWE Network and come onto cable television. That's huge.

Technology has made music accessible in a philosophically interesting way, which is great. But on the other hand, when everybody has the ability to make magic, it's like there's no more magic - if the audience can just do it themselves, why are they going to bother?

When you see Robert Englund in a movie, you think he is the bad guy, but if I'm not the bad guy, and I'm supposed to just kind of fool the audience, it makes it a lot easier for whichever actor is the bad guy. So I find myself doing a lot of those, I think they're called red herring characters, faking out the audience.

We'll open for anyone, we are just looking to play.

We have a lot of wrestling fans out there just looking for a star to cheer for.

The bullies don't realize the effects they're having on the kids who are being bullied. They aren't in that situation themselves and are just looking for an audience.

I never read my reviews... not even the good ones. Barbra Streisand once told me, if just one person in the audience doesn't applaud, it bothers her. I'm the same way. I'd be devastated to read that someone didn't like my work.

Audience will get bored if just one kind of films will continue to get made.