Quotes About Audience

In the process of them developing this instrument, I've been playing the melodica in the style I would like the harmoniboard to be played, which is a mix between a harmonica and keyboard. I play with trumpet style techniques. I really like the mobility of being able to step off the piano and bring the music to the audience.

I think the key as a creator is to just trust your own intuition, and follow your passion and trust that if you make something you love, an audience who loves it will find it.

For me, Hello' was more of getting my confidence back and gaining the audience's trust.

It takes time to gain the audience's trust. I am taking one baby step at a time.

To me, the real thrill is in making the music, and then I just trust it to find its own audience, and at times it's big and at times it's small, but that's beyond my control.

You can always trust that an audience is smarter than a studio thinks it is.

The first year I started in San Francisco, there was an American work on every program and there's been a lot of music by living composers and gradually that was part of the process of getting the audience really to trust me.

My comics have changed so much over the years, in the writing, in art style, sometimes incrementally, sometimes quite suddenly. So I've cultivated an audience who will go along with me because they trust me.

The audience is sacrosanct for me. They put faith in me, trust me and I will try my best to live up to that.

I personally never trusted the audience.

When Walt Disney was making his films, he trusted his instincts and made films for himself, but they appealed to everybody, not just kids.

I think trusting people is a problem for anyone with an existing audience who wants to do another thing.

The more the audience and the society trusts an actor, the more the responsibility increases for the actor.

Most people don't care if you're telling them the truth or if you're telling them a lie, as long as they're entertained by it. You find that out really fast.

What I've discovered is that in art, as in music, there's a lot of truth-and then there's a lie. The artist is essentially creating his work to make this lie a truth, but he slides it in amongst all the others. The tiny little lie is the moment I live for, my moment. It's the moment that the audience falls in love.

I would love to have an ocean of love right now. That said, the number-one rule of acting is, 'Do not seek approval from the audience.' People don't realize that. You can't do stuff to get applause. You have to live in the truth.

I don't know if I'm selfless - I still want to make a great record. I want to make a hit record. I want to tour; that's not completely selfless. But the truth is I'm not interested in people coming to my show for me as much as I am for them coming to my show for themselves. That's always been how I am.

The truth is that everyone pays attention to who's number one at the box office. And none of it matters, because the only thing that really exists is the connection the audience has with a movie.

The truth is, we have this idea that late night is about creativity and being cool, but that's not our job. Our job is to get as many people watching the commercials in between our show. That's the reality of it.

The line between humor and bad taste is your audience, in which some people will find everything offensive, and some people will find nothing offensive, but the truth is that most humor originates in what would be called bad taste.

The truth is I loved an audience.

I don't like to know exactly what I'm going to do in a scene, because the most interesting moments as an audience member are moments of truthful spontaneity.

I think you have a pact with an audience in every picture, and I think the pact is to try and be truthful and to be real.

To be truthful, Jay-Z wouldn't have a quarter of the records sold today if it wasn't for the white people buying his records.