Quotes About Audience

The motivation is important for me to act it, but I don't necessarily want the audience to know my motivation.

You want an audience. If you didn't, you wouldn't be a writer. The biggest motivation to write is the knowledge that someone will read it.

The motivation for making movies is that people actually see them.

Getting up in front of an audience is my biggest motivation.

Sustaining an audience is hard. It demands a consistency of thought, of purpose, and of action over a long period of time." —BRUCE SPRINGSTEEN O

The stories you have to write will always make someone hate your guts. If they don't you're just producing words.

New opportunities for innovation open up when you start the creative problem-solving process with empathy toward your target audience—whether

Rarely is the best New Orleans music found in a concert hall where the audience sits separated from the performers by a proscenium

Audiences know what to expect, and that is all that they are prepared to believe in.

When I write, I don't translate for white readers.... Dostoevski wrote for a Russian audience, but we're able to read him. If I'm specific, and I don't overexplain, then anyone can overhear me.

La oración es el pase de acceso que Dios nos otorga para tener una audiencia personal con Él.

It seemed to me that the baker had an honest response to the painting. Van Ruijven tried too hard when he looked at paintings, with his honeyed words and studied expressions. He was too aware of having an audience to perform for, whereas the baker merely said what he thought.

Lessons Learned about Public Space Judaism Events 1. Some affiliated people—who may not be part of the target audience—will undoubtedly attend Public Space Judaism events. But the focus of recruitment efforts should be on those previously unaffiliated—that's the target population. 2. Only about a third of the people encountered from the target audience

That's what acting is - it's about... having the courage to allow your audience into the private moments of your characters' lives.

There are a lot of things that come to bear on movies now that I don't think are good for movies. They're trying to appeal to the biggest demographic and, when they do that, you sometimes flatten out.

Right away, I invited on guests like Steve Wozniak, John Draper, and even porn star Danni Ashe, who took her top off in the studio to show us all how hot she was. (Listen up, Howard Stern, I'm following in your footsteps!)

Just me onstage with a mike having an intimate relationship with the audience. I don't get nervous for that. I just get excited.

Over the years, I've been trying to build a relationship with an audience. I've tried to maintain as much of a low profile as I could so that those characters would emerge and their relationship with audiences would be protected.

No sooner would a mushaira start than the audience would clamour for 'Parwana' (moth) the pseudonym which he used. (I always referred to him as patanga which is the pejorative for a moth).

My shows aren't about trying to save some place, because I don't feel that's the right venue for it. That's my politics right there: Don't bring politics to my shows.

I don't know many women who can relate to Sharon Stone and the kind of movies she does. I don't know a lot of guys who can relate to Tom Cruise's movies because they're on a kind of fantastic level.

The girl anchors the stage, sucks in the male gaze, and, depending on who she is, throws her own gaze back out into the audience.

Fluxus explored art as a process, using the viewer, or the audience, to complete the work. It asked, What can art be?

The newspaper fits the readers program while the listener must fit the broadcasters program.