Quotes About Audience

You cannot tell an audience a lie. They know it before you do; before it's out of your mouth, they know it's a lie.

I work for the director, and if audience are happy, I have gotten my award. After that, I have to move on.

I never thought 'Crook' wouldn't work with the audience - in fact, no actor ever has that in mind especially when it's a debut film. It was shocking initially but I had to move on.

We give you this story. It is for the audience to be moved and gut wrenched, not us. It isn't as if we don't go through those real feeling and it isn't as if I don't cry three or four times a night. I usually do.

It's fine with me if people want to applaud between movements of a concerto. It doesn't bother me - it's part of performance experience.

A song isn't finished until it's played live, and then it moves on.

If you're going to be adapting something across media, you should at least have the moves that people want you to hit and that you want to hit.

Wrestling and sports entertainment is not about the moves, it really isn't. It's about being able to evoke emotion in one facet or another.

The casual audience was never really turned on by crazy moves, they were turned on by crazy characters.

We use wrestling moves to tell a story but it boils down to the character and being able to bring either love or hate out of your crowd.

A movie is made for an audience and a film is made for both the audience and the film-makers.

This indication of audience interest is good for all horror movie makers at any budget level.

I can go to a movie theater and watch a movie I was in with an audience... but with television, the opportunity to meet the fans at Comic Con or any other situation, it's a chance to enter that circle; it's that sharing.

That's the thing about leaks: sometimes they aren't misinterpreted or false. They're real story elements that the filmmakers were hoping to introduce to the audience in a darkened movie theater.

I've made a lot of very small movies that may not have had a large initial audience. Then it shows up on cable.

You can make movies for a select audience, but you have to market it to them.

Kids end up seeing my movies anyway but some of the mothers get mad at me so I figured I'd make one that I can't get yelled at for.

You make movies for the people. If critics happen to like them too, well, that's a home run.

That's part of show business: the moving.

I'm moving forward and getting new fans at every show.

Mozart composed his music not for the elite, but for everybody.

Part of my style was getting into a muddle. Audiences think that's part of the act. Sometimes it might be - but you have to guess which bits.

With all of our big-hit shows - like 'Big Bang Theory,' and even 'How I Met Your Mother' - when they first started, you have multiple characters to service, and you want to make sure that the audience has a chance to get the concept, get the emotional arc, and really engage with the relationships.

I can deal with having a terrible night on stage in front a bunch of Glaswegians but not a bunch of Glaswegians and my mum and dad.