Quotes About Audience

If you're making music, you must want to turn other people on to it, whether you're number one in the charts or number 60. I don't know, that's a commercial thing, but just the fact that other people like you... there's no point in making music, otherwise. Otherwise, you might as well make it in your bedroom and leave it there.

The power lies with content creators now, but if you can't reach people, there's no point.

There is no point in playing safe, because the audiences love different quirks: something that is crazy and out-of-the-box. I think that's what my space is, and if you are going to have your own space in the industry, this is where I want to be.

Voice work is the best - no need to dress up, no audience, no pressure, nobody's judging you.

Potentially, anyone writing on the Web can reach a global audience. In practice, hardly anyone ever does.

My friend asked me if it had been cathartic, to write my memoir. I looked down at the sculptures—it was cathartic for me to look at them, but I could imagine it might have been hell to make them (I was cheered / when I came first to know / that there were flowers also / in hell). No, I answered—how was it for you to read it? Aristotle, in his Poetics, never promised catharsis for the makers of art, only for the audience.

We wrote about whatever we wanted, and we ended up with eighteen million people watching us. That's the thing about television comedy, isn't it? It makes us all a part of something. That's what I love about it.

Writing for the gallery is something that a writer must resist no matter who he is. You know the writers that are writing for their audience because they write the same book over and over again with the sort of cute things their readership likes. Serious writers write things that compel them, new challenges, new situations, and a new landscape that they have not been in before.

the mass media are interested in attracting audiences with buying power, not audiences per se; it is affluent audiences that spark advertiser interest today, as in the nineteenth century. The idea that the drive for large audiences makes the mass media "democratic" thus suffers from the initial weakness that its political analogue is a voting system weighted by income!

ask you to think a little bit about what the media's products are, which I put out as a question before. Are they selling an entertainment thing? Are they selling news? Are they selling information? No. They're selling you. They're selling you to advertisers. You are their product. There's no question about that. So

painting, in music, in literature or theater? If so, did that make the rest of the world nothing more than the audience? Passive observers whose only contribution was applause or criticism?

Seinfeld was the most popular, most transformative live-action show on television. It altered the language and shifted comedic sensibilities, and almost every random episode was witnessed by more people than the 2019 finale of Game of Thrones.

The single-biggest proof that the Dixie Chicks are Van Halen is their audience; they are singing to the same teenage boys, except those boys are now teenage girls.

Roughly 5.3 million people watched the first episode of The Walking Dead on AMC, a stunning 83 percent more than the 2.9 million who watched the season four premiere of Mad Men. This means there are at least 2.4 million cable-ready Americans who would prefer watching Christina Hendricks if she were an animated corpse.

Hysteria is impossible without an audience. Panicking by yourself is the same as laughing alone in an empty room. You feel really silly.

You realize that there's no point in doing anything if nobody's watching. You wonder, if there had been a low turnout at the crucifixion, would they have rescheduled?

The best way to waste your life is by taking notes. The easiest way to avoid living is to just watch. Look for the details. Report. Don't participate. Let Big Brother do the singing and dancing for you. Be a reporter. Be a good witness. A grateful member of the audience.

Besides, hysteria is only possible with an audience.

You realize that there's no point in doing anything if nobody's watching.

The same as if a tree falls in the forest and no one is there to hear it, you realize, if no one had been there to witness the agony of Christ, would we be saved? The key to salvation is how much attention you get. How high a profile you get. Your audience share. Your exposure. Your name recognition. Your press following. The buzz.

This whole time, I was calm. I was the picture of calm. I never, never panicked. I saw my blood and snot and teeth splashed all over the dashboard the moment after the accident, but hysteria is impossible without an audience. Panicking by yourself is the same as laughing alone in an empty room. You feel really silly.

Hysteria is impossible without an audience.

Your every emotion goes right over the top with a big audience. It's either laughter or tears, with no in-between. Those tigers in zoos, they must have a big opera all the time.

You re­al­ize that there's no point in do­ing any­thing if no­body's watch­ing.